While he smiled into the face of Milligan, perspiration was bursting out under his armpits.

"Mr. Milligan, I implore you to give me your aid."

Gunman's Reckoning — Part 87

"What's the difference?" Milligan asked in a changed tone. "If he don't fight you here he'll fight you later."

Gunman's Reckoning — Part 87

"You're wrong, Mr. Milligan. He isn't the sort to hold malice. He'll come here tonight and try to get at me like a bulldog straining on a leash. If he is kept away he'll get over his bad temper."

Gunman's Reckoning — Part 87

"You've tried to force yourself down the throat of The Corner," he said, "and now you yell for help when you see the teeth."

He had raised his voice. Now he got up and strode noisily away. Donnegan waited until he was halfway across the dance floor and then rose in turn.

The quiet voice cut into every conversation; the musicians lowered the instruments.

"I have just told Mr. Milligan that I am sure Jack Landis is coming back here to try to kill me. I have asked for his protection. He has refused it. I intend to stay here and wait for him, Jack Landis. In the meantime I ask any able-bodied man who will do so, to try to stop Landis when he enters."

He sat down, raised his glass, and sipped the drink. Two hundred pairs of eyes were fastened with hawklike intensity upon him, and they could perceive no quiver of his hand.

The sipping of his liquor was not an affectation. For he was drinking, at incredible cost, liquors from Milligan's store of rareties.

The effect of Donnegan's announcement was first a silence, then a hum, then loud voices of protest, curiosity--and finally a scurrying toward the doors.

Yet really very few left. The rest valued a chance to see the fight beyond the fear of random slugs of lead which might fly their way. Besides, where such men as Donnegan and big Jack Landis were concerned, there was not apt to be much wild shooting. The dancing stopped, of course. The music was ordered by Milligan to play, in a frantic endeavor to rouse custom again; but the music of its own accord fell away in the middle of the piece. For the musicians could not watch the notes and the door at the same time.

As for Donnegan, he found that it was one thing to wait and another to be waited for. He, too, wished to turn and watch that door until it should be filled by the bulk of Jack Landis. Yet he fought the desire.