John, Duke of Montagu, died at Montagu House, Whitehall, in the sixty-eighth year of his age, when his title became extinct.

(Seated near a Table, on which he rests his Left Arm. Crimson and Gold Court Dress.)

Biographical Notices of the Portraits at Hinchingbrook — Part 48

Born, 1742, Murdered, 1779.—Some say the daughter of a stay-maker in Covent Garden, others that she was born at Elstree, in Herts, where her father was a labourer. In early life, she was apprenticed to a dressmaker in Clerkenwell, but her first meeting with John, fourth Earl of Sandwich, was at a shop in Tavistock-street, where he was buying some neck-cloths. Struck with her extreme beauty, his lordship took her under his protection, established her at Hinchingbrook, and superintended her education. Margaret repaid the pains that were bestowed on her, but her especial talent was for music, and under the tuition of Mr. Bates, (afterwards secretary to Lord Sandwich) and Signor Giardini, her sweet and powerful voice, was fully developed, and she sang to perfection, in the Oratorio of “Jephthah,” in Italian bravuras, and in the catches and glees, which so often formed part of the varied entertainments, at Hinchingbrook. Every Christmas, indeed, Lord Sandwich caused an oratorio to be performed, at his country house, where Miss Ray was the principal attraction, although she had several rivals in musical talent, both professional, and amateur. On one occasion Mr. Cradock, an intimate friend of Lord Sandwich’s, tells us that he accompanied his lordship, Mr. Bates, Miss Ray and another lady, to Vauxhall, where some musical friends met them, and they sang catches, and glees, in the box, to the delight of the audience, who greatly admired the beauty and vocal powers, of the fair (to them) unknown performer.

Biographical Notices of the Portraits at Hinchingbrook — Part 48

Miss Ray was remarkable, while under Lord Sandwich’s roof, for her discreet and circumspect conduct, in a most equivocal position; and his lordship appears to have been very strict, lest anyone, as he expressed himself, “should exceed the boundary line,” that he had drawn. For example, at the oratorios where she shone so conspicuously, the society were not expected to notice her, and she herself was sadly embarrassed one evening, when Lady Blake advanced between the scenes to converse with her, the singer well knowing such a step would arouse the noble host’s displeasure; a well grounded suspicion as he went so far as to say “such a trespass might occasion the overthrow of our music meetings.” The Bishop of Lincoln’s wife pays this tribute to Margaret: “She was so assiduous to please, so excellent and unassuming, I felt it cruel to sit directly opposite to her, and yet find it impossible to notice her.”

Biographical Notices of the Portraits at Hinchingbrook — Part 48