Hawthorne's widow left the Wayside in 1868. It was afterward occupied by a school for young ladies; then by Hawthorne's daughter Rose--herself a charming writer--with her husband, the gifted and versatile George Parsons Lathrop; later it was purchased by the Boston publisher Daniel Lothrop, and has since been the summer home of his widow, who is widely known as "Margaret Sidney," the creator of "Five Little Peppers," and writer of many delightful books. Hawthorne said, anent his visit to Abbotsford, "A house is forever ruined as a home by having been the abode of a great man,"--a truth well attested by the present amiable mistress of his own Wayside, whose experience with a legion of unaccredited, intrusive, and often insolent persons who come at all hours of the day, and sometimes in the night, demanding to be shown over the place, would be more ludicrous were it less provoking.

Some details of the interior have been beautified by the æsthetic taste of Mrs. Lothrop, but an appreciative reverence for Hawthorne leads her to preserve his home and its belongings essentially unchanged. At the right of the entrance is an antique reception-room, which was Hawthorne's study during his first residence here, as it had long before been the study of "Septimius Felton" in the tale. It is a low-studded apartment with floor of oaken planks, heavy beams strutting from its ceiling, a generous fireplace against a side wall, and with two windows looking out upon the near highway. In this room Hawthorne wrote "Tanglewood Tales" and "Life of Franklin Pierce;" and here that creature of his imagination, "Septimius," brooded over his doubts and questions. Through yonder windows "Septimius" saw the British soldiery pass and repass; above this oaken mantel--now artistically fitted and embellished with rare pottery--he hung the sword of the officer he had slain; before this fireplace he pored over the mysterious manuscript his dying victim had given him; on this hearth he distilled the mystic potion, and here poor Sibyl quaffed it. The spacious room at the left, across the hall, was at first Hawthorne's parlor; but after he enlarged the dwelling this became the library, where he read aloud to the assembled family on winter evenings, and where his widow afterward transcribed his "Note-Books" for publication. The sunny room above this was the chamber of the unfortunate Una; Hawthorne's own sleeping apartment, on the second floor, is entered from the hall through the narrowest of door-ways. In the upper hall a little wall-closet was the repository of Hawthorne's manuscripts, and here, to the surprise of all, an entire unpublished romance was found after his death. From this hall a narrow stairway, so steep that one need cling to the iron rail at the side in order to scale it, ascends to Hawthorne's study in the tower, a lofty room with vaulted ceiling. On one side wall is the Gothic enclosure of the stairs, against which once stood his plain oaken writing-desk; upon it the bronze inkstand he brought from Italy, where it held the ink for "The Marble Faun." In this inkstand, he declared, lurked "the little imp" which sometimes controlled his pen. Attached to a side of the staircase was the high desk or shelf upon which he often wrote standing. Book-closets filled the corners at the back, and a little fireplace with a plain mantel was placed between two of the windows. Loving hands have neatly decorated the ceiling, and painted upon the walls mottoes commemorative of the master who wrought here. The views he beheld through the windows of this sanctum when he lifted his eyes from his book or manuscript are tranquil and soothing: across his roofs in one direction he looked upon the sunny grasslands of the valley; in another he saw placid slopes of darkly-wooded hills and a reach of the elm-bordered road; in a third direction, smiling fields and the vineyards where the famous Concord grape first grew met his vision; and through his north windows appeared the thick woods that crowned his own hill-top,--so near that he "could see the nodding wild flowers" among the trees and breathe the woodland odors.

Literary Shrines — Part 20