In the address to the Chancellor, Dryden has indulged his ingenuity in all the varied and prolonged comparisons and conceits, which were the taste of his age. Johnson has exemplified Dryden's capacity of producing these elaborate trifles, by referring to the passage, which compares the connection between the king and his minister, to the visible horizon. "It is," says he, "so successfully laboured, that though at last it gives the mind more perplexity than pleasure, and seems hardly worth the study that it costs; yet it must be valued, as the proof of a mind at once subtle and comprehensive." The following couplet, referring to the friendship of Charles I, when in his distresses, for Clarendon, contains a comparison, which is eminently happy:
Our setting sun, from his declining seat, Shot beams of kindness on you, not of heat.
In general, this poem displays more uniform adherence to the metaphysical style of Cowley, and his contemporaries, than occurs in any of Dryden's other compositions. May we not suppose, that, in addressing Clarendon, he adopted the style of those muses, with whom the Chancellor had conversed in his earlier days, in preference to the plainer and more correct taste, which Waller, and Denham, had begun to introduce; but which, to the aged statesman, could have brought no recollection of what he used to consider as poetry? Certain, at least, it is, that, to use the strong language of Johnson, Dryden never after ventured "to bring on the anvil such stubborn and unmanageable thoughts;" and these lines afford striking evidence, how the lever of genius, like that of machinery applied to material substances, can drag together, and compel the approximation of the most unsociable ideas. Our admiration of both, however, is much qualified, when they are applied rather to make exhibition of their own powers, than for any better purpose.