Tribolo lived sixty-five years, and was interred by the Company of the Scalzo in their place of burial. He left behind him a son called Raffaello, who has not taken up art, and two daughters, one of whom is the wife of David, Tribolo's assistant in building all the works at Castello, who, being a man of judgment and capable in such matters, is now employed on the aqueducts of Florence, Pisa, and all the other places in the dominion, according as it may please his Excellency.

Although those men are generally the most celebrated who have executed some work excellently well, nevertheless, if the works already accomplished by any man foreshadow those that he did not achieve as likely to have been numerous and much more rare, if some accident, unforeseen and out of the common use, had not happened to interrupt him, it is certain that such a man, wherever there may be one willing to be just in his appreciation of the talent of another, will be rightly extolled and celebrated both on the one count and on the other, and as much for what he would have done as for what he did. The sculptor Vinci, therefore, should not suffer on account of the short duration of his life, or be robbed thereby of the praise due to him from the judgment of those who shall come after us, considering that he was only in the first bloom both of his life and of his studies at the time when he produced and gave to the world that which everyone admires, and was like to bring forth fruits in greater abundance, if a hostile tempest had not destroyed both the fruits and the tree.

Lives of the most Eminent Painters Sculptors and Architects — Part 26

I remember having said in another place that in the township of Vinci, in the lower Valdarno, there lived Ser Piero, the father of Leonardo da Vinci, most famous of painters. To this Ser Piero, after Leonardo, there was born, as his youngest son, Bartolommeo, who, living at Vinci and attaining to manhood, took for his wife one of the first maidens of that township. Bartolommeo was desirous of having a male child, and spoke very often to his wife of the greatness of the genius with which his brother Leonardo had been endowed, praying God that He should make her worthy that from her there might be born in his house another Leonardo, the first being now dead. In a short time, therefore, according to his desire, there was born to him a gracious boy, to whom he wished to give the name of Leonardo; but, being advised by his relatives to revive the memory of his father, he gave him the name of Piero. Having come to the age of three years, the boy had a most beautiful countenance, with curly locks, and showed great grace in every movement, with a quickness of intelligence that was marvellous; insomuch that Maestro Giuliano del Carmine, an excellent astrologer, and with him a priest devoted to chiromancy, who were both close friends of Bartolommeo, having arrived in Vinci and lodged in Bartolommeo's house, looking at the forehead and hand of the boy, revealed to the father, both the astrologer and the chiromancer together, the greatness of his genius, and predicted that in a short time he would make extraordinary proficience in the mercurial arts, but that his life would also be very short. And only too true was their prophecy, for both in the one part and in the other (when one would have sufficed), in his life as well as in his art, it needs must be fulfilled.

Lives of the most Eminent Painters Sculptors and Architects — Part 26