Archdeacon and Chaplain, Ven. John Perham; } Choirmaster, Mr. C. B. Buckley; } 1899. Organist, Mr. E. Salzmann. } ]
[Footnote 11: Colonel Macpherson had seen as a young man the ruins of the old church and abbey of Netley, or "Letley," as it was originally called, from the Latin word "lætus," pleasant, and the Saxon word "ley," a field, and had been so impressed with the simple character and proportions of the Early English style of church architecture, of which this was an excellent example, that when called upon to plan a new church for Singapore, he, as we say, chose this as his model.
We have a very good account of Netley Abbey given in 1848 by George Guillaume, architect, and from his description it was founded in 1239, and was occupied by monks of the Cistercian order, who were brought over from a neighbouring monastery at Beaulieu in the New Forest, where there was already an abbey dedicated to the Virgin Mary. Netley Church was built on a cruciform plan, and was proportioned according to the ancient mysterious figure called the "Visica Pisces," as will be seen in the sketch below from his work.
Singapore Church, now, as we have said, the cathedral of the diocese, has been much admired for its true symmetry and exact proportion, as well as for the delicate simplicity of its details.]
As a pattern for the convicts to follow, we built two arches on the ground, the exact counterpart of those in the building; and, indeed, at any time when they wanted a guide, we had a model made; and the natives of India are such wonderful imitators, as we all know, that they soon were able to follow the copy we had given them. So the work progressed from day to day, until it was ultimately finished in 1862. We found that the skill of the convicts never failed them, and their capacity as builders and carpenters never seemed to slacken.
In dealing with the interior walls and columns, we used what is well known, though little employed with us in England, "Madras chunam," made from shell lime without sand; but with this lime we had whites of eggs and coarse sugar, or "jaggery," beaten together to form a sort of paste, and mixed with water in which the husks of cocoanuts had been steeped. The walls and columns were plastered with this composition, and, after a certain period for drying, were rubbed with rock crystal or rounded stone until they took a beautiful polish, being occasionally dusted with fine soapstone powder, and so leaving a remarkably smooth and glossy surface.