He swung her round with that iron grasp upon her arm so that she faced him. His fierce eyes blazed upon her with a red light from under his heavy eyelids. “Dare to say a word but what I tell ye, and I’ll dash ye--in pieces like a potter’s vessel!” cried Drumcarro, taking the first similitude that occurred to him. He shook her as he spoke, her frame, though it was well-knit and vigorous, quivering in his grasp. “Just say a word more of your damned nonsense and I’ll lay ye at my feet!”
Kirsteen’s heart fluttered to her throat with a sickening terror; but she looked him in the face with what steadiness she could command, and a dumb resolution. The threat gave her back a sense of something unconquerable in her, although every limb shook.
“Ye’ll see Glendochart when he comes--in my presence--ye’ll have the day fixed and all put in order. Or if ye want to appear like a woman and not a petted bairn before your man that is to be, you’ll settle it yourself. I give you full liberty if you’ll behave yourself. But hearken,” he said, giving her another shake, “I’ll have no confounded nonsense. If ye go against me in a strange man’s presence and expose the family, I will just strike ye down at my feet, let what will come of it. Do you hear what I say?”
“He will not let you strike me,” she cried in terror, yet defiance.
“Ye’ll be at my feet before he has the chance,” cried Drumcarro. “And who’s will be the wyte if your father, the last of the Douglases, should be dragged to a jail for you? If ye expose my family to scorn and shame, I’ll do it more. Do you hear me? Now go and settle it with your mother,” he said, suddenly letting her go. Kirsteen, thrown backward by the unexpected liberation, fell back with a dizzying shock against the lintel of the door. She lay against it for a moment sick and giddy, the light fading from her eyes; and for a minute or two Kirsteen thought she was going to die. It is a conviction that comes easily at such a crisis. It seemed to the girl so much the best way out of it, just to be done with it all.
“The only art her guilt to cover, To hide her shame from every eye, To bring repentance to her lover, And wring his bosom--”
Poor Kirsteen had no guilt, nor had she any clear apprehension what this meant, or what guilt it was--it might have been only the guilt of disobedience, the shame of exposing the family for anything she knew; but the words flashed through her mind in her half-faint, lying speechless against the door. It would bring repentance to them all and wring their bosoms--it would save the shame of a disturbance and the dreadful sight of a struggle between father and daughter. The only art--just to die.