Such, then, were the suppositions as to the present scheme, and the reserved intent. How, at the very threshold, so unlooked-for a catastrophe overturned all, or rather, what was the conjecture here, is now to be set forth.

It was thought that on the day preceding the fatality, his visitors having left him, Bannadonna had unpacked the belfry image, adjusted it, and placed it in the retreat provided,—a sort of sentry-box in one corner of the belfry; in short, throughout the night, and for some part of the ensuing morning, he had been engaged in arranging everything connected with the domino: the issuing from the sentry-box each sixty minutes; sliding along a grooved way, like a railway; advancing to the clock-bell, with uplifted manacles; striking it at one of the twelve junctions of the four-and-twenty hands; then wheeling, circling the bell, and retiring to its post, there to bide for another sixty minutes, when the same process was to be repeated; the bell, by a cunning mechanism, meantime turning on its vertical axis, so as to present, to the descending mace, the clasped hands of the next two figures, when it would strike two, three, and so on, to the end. The musical metal in this time-bell was so managed in the fusion, by some art, perishing with its originator, that each of the clasps of the four-and-twenty hands should give forth its own peculiar resonance when parted.

Stories of Tragedy — Part 84

But on the magic metal, the magic and metallic stranger never struck but that one stroke, drove but that one nail, severed but that one clasp, by which Bannadonna clung to his ambitious life. For, after winding up the creature in the sentry-box, so that, for the present, skipping the intervening hours, it should not emerge till the hour of one, but should then infallibly emerge, and, after deftly oiling the grooves whereon it was to slide, it was surmised that the mechanician must then have hurried to the bell, to give his final touches to its sculpture. True artist, he here became absorbed,—an absorption still further intensified, it may be, by his striving to abate that strange look of Una; which, though before others he had treated it with such unconcern, might not, in secret, have been without its thorn.

Stories of Tragedy — Part 84