John H. Safer (September 6, 1922 – December 7, 2018) was an American sculptor. Safer's varied career spanned work in theater lighting, television, real estate, politics and banking.
Safer was best known for his monumental sculptures, but he has also created many smaller works. These include award sculptures for organizations such as the National Air and Space Museum, the PGA Tour, the Georgetown University Lombardi Cancer Center, the World Peace Foundation, and the Shakespeare Guild.
Safer's works stand in museums, galleries and embassies throughout the world. In 1972 and in 1989 the U.S. Department of State sent a group of Safer sculptures abroad to be exhibited as examples of America's finest art. He died in December 2018 at the age of 96.
Sculpture
Safer's earliest sculptures in the 1950s and 1960s were small works of Lucite. Over time he also began to work in bronze and stainless steel. The pieces became larger and in 1979 his first public commission, Judgment, a multi-ton patinated bronze, was installed at Harvard Law School in Cambridge, Massachusetts.
This was the first in a long string of public installations.
As the commissions grew in number they grew in size as well. Interplay, created in 1987, is high. Leading Edge, created in 1989, is high. His hallmark work, Ascent, which stands at the entrance of the Smithsonian Institution's Udvar-Hazy Center at Dulles Airport in Virginia, is high.
"Through his work, John has tried to capture the essence and reduce the subject to the pure line in space that Aristotle believed to be the basis of sculpture."
Early life
John Safer was born and raised in Washington, D.C., the only child of John and Rebecca Herzmark Safer. His father, who operated a moving and storage business, was a lawyer who graduated from Georgetown University Law School at the head of his class. His mother Rebecca Herzmark Safer was a social activist, suffragette and intellectual. John learned to read and write by the age of four. At this time his mother entered him into first grade at the Maret French School.
Safer continued as a precocious student. Fluent in French, he entered high school at the age of eleven and graduated when he was fourteen. He was pressured by his mother to enroll at Harvard University. Safer, uncomfortable at the thought of being a fourteen-year-old college student, deliberately failed the Harvard entrance exam by handing in blank pages.
Safer instead attended Woodward Prep School. There he discovered his love for and ability in athletics. This theme would greatly influence his art and his life. Until then, his age and size had prevented him from participating in sports and left him with the sense that he was a misfit.
At the age of sixteen, Safer entered George Washington University where he majored in economics. He became an assistant to Professor Edward Acheson –– brother of the United States Secretary of State Dean Acheson –– who became a mentor. At the beginning of World War II, Safer enlisted in the United States Air Force to become a flying cadet.
Safer became a first lieutenant and served in India, Burma and China. When the war ended in 1945 he opted for an additional year in the Air Force hoping to fulfill a dream of seeing Europe's great works of art while he was stationed there. His new assignment allowed him to visit the Parthenon, the Tate, and the Louvre. While in Rome, he learned that he was suddenly to be transferred to Athens. Unwilling to leave Italy without visiting the Accademia in Florence, Safer "borrowed" a jeep to make the drive to see Michelangelo's David. The Accademia was closed but he convinced the caretaker to let him in. The two hours Safer spent alone with the masterpiece resulted in a seminal experience, but it was Michelangelo's other sculptures in the Gallery, The Prisoners, which gave Safer an insight that was to impact his entire life and transform his artistic career.
The Prisoners are heroic figures rising from rough hewn stone. The upper portion of the figures are finished while the lower part remains uncarved. As Safer studied The Prisoners he realized the power of the abstract –– a realization that gave direction to his future work.
Businessman
After Safer graduated from Harvard Law School in 1949 his fascination with the emerging technology and promise of television prompted him to take a job as a handyman at WXEL in Cleveland, Ohio. He quickly rose to the position of program director. During this time his innovations led the new independent station to "beat the ratings of all the network affiliates."