After the first shock of astonishment, Sam Marlowe had listened to his father's harangue with a growing indignation which, towards the end of the speech, had assumed proportions of a cold fury. If there is one thing the which your high-spirited young man resents, it is being the toy of Fate. He chafes at the idea that Fate had got it all mapped out for him. Fate, thought Sam, had constructed a cheap, mushy, sentimental, five-reel film scenario, and without consulting him had had the cool cheek to cast him for one of the puppets. He seemed to see Fate as a thin female with a soppy expression and pince-nez, sniffing a little as she worked the thing out. He could picture her glutinous satisfaction as she re-read her scenario and gloated over its sure-fire qualities. There was not a flaw in the construction. It started off splendidly with a romantic meeting, had 'em guessing half-way through when the hero and heroine quarrelled and parted—apparently for ever, and now the stage was all set for the reconciliation and the slow fade-out on the embrace. To bring this last scene about, Fate had had to permit herself a slight coincidence, but she did not jib at that. What we call coincidences are merely the occasions when Fate gets stuck in a plot and has to invent the next situation in a hurry.
Sam Marlowe felt sulky and defiant. This girl had treated him shamefully and he wanted to have nothing more to do with her. If he had had his wish, he would never have met her again. Fate, in her interfering way, had forced this meeting on him and was now complacently looking to him to behave in a suitable manner. Well, he would show her! In a few seconds now, Billie and he would be meeting. He would be distant and polite. He would be cold and aloof. He would chill her to the bone, and rip a hole in the scenario six feet wide.
The door opened, and the room became full of Bennetts and Mortimers.
§ 2
Billie, looking, as Marlowe could not but admit, particularly pretty, headed the procession. Following her came a large red-faced man whose buttons seemed to creak beneath the strain of their duties. After him trotted a small, thin, pale, semi-bald individual who wore glasses and carried his nose raised and puckered as though some faintly unpleasant smell were troubling his nostrils. The fourth member of the party was dear old Bream.
There was a confused noise of mutual greetings and introductions, and then Bream got a good sight of Sam and napped forward with his right wing outstretched.
"Why, hello!" said Bream.
"How are you, Mortimer?" said Sam coldly.
"What, do you know my son?" exclaimed Sir Mallaby.
"Came over in the boat together," said Bream.
"Capital!" said Sir Mallaby. "Old friends, eh? Miss Bennett," he turned to Billie, who had been staring wide-eyed at her late fiancé, "let me present my son, Sam. Sam, this is Miss Bennett."
"How do you do?" said Sam.
"How do you do?" said Billie.
"Bennett, you've never met my son, I think?"
Mr. Bennett peered at Sam with protruding eyes which gave him the appearance of a rather unusually stout prawn.
"How are you?" he asked, with such intensity that Sam unconsciously found himself replying to a question which does not as a rule call for any answer.
"Very well, thanks."
Mr. Bennett shook his head moodily. "You are lucky to be able to say so! Very few of us can assert as much. I can truthfully say that in the last fifteen years I have not known what it is to enjoy sound health for a single day. Marlowe," he proceeded, swinging ponderously round on Sir Mallaby like a liner turning in the river, "I assure you that at twenty-five minutes past four this afternoon I was very nearly convinced that I should have to call you up on the 'phone and cancel this dinner engagement. When I took my temperature at twenty minutes to six...." At this point the butler appeared at the door announcing that dinner was served.