It is a strange caprice that we should now possess what is in every probability the very breastplate worn by the heroic monarch on that occasion. It was found in 1820, and thereafter sold—some fragments of it, at least—to the British Museum, where under the name of “Bronze of Siris” it may still be admired: a marvellous piece of repoussée work, in the style of Lysippus, depicting the combat of Ajax and the Amazons. . . .

The streamlet Trionto, my companion to Longobucco, glides along between stretches of flowery meadow-land—fit emblem of placid rural contentment. But soon this lyric mood is spent. It enters a winding gorge that shuts out the sunlight and the landscape abruptly assumes an epic note; the water tumbles wildly downward, hemmed in by mountains whose slopes are shrouded in dusky pines wherever a particle of soil affords them foothold. The scenery in this valley is as romantic as any in the Sila. Affluents descend on either side, while the swollen rivulet writhes and screeches in its narrow bed, churning the boulders with hideous din. The track, meanwhile, continues to run beside the water till the passage becomes too difficult; it must perforce attack the hill-side. Up it climbs, therefore, in never-ending ascension, and then meanders at a great height above the valley, in and out of its tributary glens.

Old Calabria — Part 180

I was vastly enjoying this promenade—the shady pines, whose fragrance mingled with that of a legion of tall aromatic plants in full blossom—the views upon the river, shining far below me like the thread of silver—when I observed with surprise that the whole mountain-side which the track must manifestly cross had lately slipped down into the abyss. A cloud-burst two or three days ago, as I afterwards learned, had done the mischief. On arrival at the spot, the path was seen to be interrupted—clean gone, in fact, and not a shred of earth or trees left; there confronted me a bare scar, a wall of naked rock which not even a chamois could negotiate. Here was a dilemma. I must either retrace my steps along the weary road to Verace and there seek a night’s shelter with the gentle hay-makers, or clamber down into the ravine, follow the river and—chance it! After anxious deliberation, the latter alternative was chosen.

Old Calabria — Part 180