‘When Charles V. came to Flanders for the purpose of installing his sister Mary, Queen of Hungary, in the government, he visited Comines, in company with Gilles Ghiselin, Seigneur of Bousbecque, father of the Ambassador. As they were entering the town, the Seigneur, entreating Charles to wait for a few moments, knocked at the door of a house, which, though unpretentious, had a dignity of its own. Out of it issued a boy with sparkling eyes; so interesting was his appearance, that the words, ‘O! what a lovely child!’ burst from the emperor’s lips. The Seigneur bade the boy kneel down. ‘Ogier,’ said he, ‘look well at your lord; when you are older you will serve him as faithfully as your father and grandfather.’ He then informed the emperor that, not having any legitimate children, he had allowed all his love to centre on this offshoot, who, he fondly hoped, would one day be admitted into his family.’
Monsieur Rouzière is certainly not fortunate in his story;[7] the Seigneur’s name was George[8] and not Gilles, and he had, moreover, three legitimate children. A house at Comines is shown as the scene of this event, but from inquiries made on the spot, we have ascertained that there is no tradition connecting it with Busbecq earlier than the publication of Monsieur Rouzière’s treatise in 1860. He is a lively and amusing writer. It is the more to be regretted that he has not regarded the line which separates biography from romance.
Monsieur Huysmans, the well-known French artist, has also laid the foundation of several errors in the striking picture which has been purchased by the Belgian Government, and now adorns the Hôtel de Ville of Belgian Comines. Its artistic merits make one regret the more that he did not select one of the many dramatic events in Busbecq’s life, instead of giving us a scene which not only is not recorded, but never could have happened. In the first place, the date 1555 is wrong; in no case could the scene have taken place earlier than 1556. Secondly, Monsieur Huysmans has been led into error by a loose translation in the French version of Busbecq’s letters by the Abbé de Foy. For some time Busbecq was confined to his house by the Turkish authorities. De Foy, in speaking of this curtailment of his liberty, uses the expression ‘une étroite prison’ (whence, by the way, some have supposed that Busbecq was confined in the Seven Towers). Monsieur Huysmans, led astray by this phrase, and imagining that the Ambassador was confined in a prison, straightway concluded that if he was imprisoned he must have been _arrested_. On this he grounded the subject of his work, ‘Soliman fait arrêter Busbecq, diplomat Flamand, Constantinople, 1555.’ There is also a striking error in the persons represented in the picture. When Busbecq first arrived at Constantinople Roostem was in disgrace, and Achmet held the post of chief Vizier. The latter had only consented to accept the seal of office on condition that the Sultan undertook never to remove him. The Sultan kept his word. When it was convenient to reinstate Roostem, he did not deprive Achmet of the seal of office, but _of his life_. The execution of Achmet is one of the most striking scenes recorded by Busbecq. Unfortunately, Monsieur Huysmans had not studied his subject sufficiently, for in his picture Roostem is in office, and Achmet stands by as a subordinate.