II. Four Ariettas and a Duet. Op. 82. (With Italian and German words: "Dimmi ben mio," "T'intendo," "Che fa, che fa il mio bene," "Che fa il mio bene" and "Odi l'aura.") Breitkopf and Härtel, March.
III. Overture to Goethe's "Egmont." Op. 84. Orchestral parts. Breitkopf and Härtel, March.
IV. Fantasia for Pianoforte, Orchestra and Chorus; dedicated to Maximilian Joseph, King of Bavaria. Op. 80. Breitkopf and Härtel, July.
V. ~Les Adieux, l'Absence et le Retour. Sonate pour le Pianoforte composée et dédiée à son Altesse Impériale l'Archiduc Rodolphe, etc.~ Op. 81. E-flat. Breitkopf and Härtel, July.
VI. Three Songs by Goethe with Pianoforte accompaniment. Dedicated to Princess Kinsky. ("Trocknet nicht," "Was zieht mir das Herz," "Kleine Blumen, kleine Blätter.") Op. 83. Breitkopf and Härtel, October.
VII. "Christus am Ölberg." Oratorio. Op. 85. Score. Breitkopf and Härtel, October.
[80] Clemens Brentano, brother of Bettina and Franz, who had written the text of a cantata on the death of Queen Louise.
[81] Goethe's answer to this letter is printed in the Weimar Collection of the poet's correspondence. Vol. XXII, No. 615. It is worth producing here:
Your friendly letter, very highly esteemed Sir, was received through Herr von Oliva much to my pleasure. For the kindly feelings which it expresses towards me I am heartily grateful and I can assure you that I honestly reciprocate them, for I have never heard any of your works performed by expert artists or amateurs without wishing that I might sometime have an opportunity to admire you at the pianoforte and find delight in your extraordinary talents. Good Bettina Brentano surely deserves the friendly sympathy which you have extended to her. She speaks rapturously and most affectionately of you and counts the hours spent with you among the happiest of her life.
I shall probably find the music which you have designed for Egmont when I return home and am thankful in advance--for I have heard it spoken of with praise by several, and purpose to produce it in connection with the play mentioned on our stage this winter, when I hope thereby to give myself as well as your numerous admirers in our neighborhood a great treat. But I hope most of all correctly to have understood Herr von Oliva, who has made us hope that in a journey which you are contemplating you will visit Weimar. I hope it will be at a time when the court as well as the entire musical public will be gathered together. I am sure that you would find worthy acceptance of your services and aims. But in this nobody can be more interested than I, who, with the wish that all may go well with you, commend myself to your kind thought and thank you most sincerely for all the goodness which you have created in us.