It may after all be fortunate that the earliest poetry of nations is seldom read, for most of it is of very little intellectual value, celebrating the wars and religions of the writers. Occasionally there are secular poems of modern and universal interest among them. But for the most part, fighting absorbs the writers and all their interests are in bloodshed, revenge, cruelty. There are many causes fostering the hatreds and errors of our day, without our using these old works to spread them. We find there silly codes of honor, idiotic conceptions of justice, amazing viewpoints of morality. We want the emotions celebrated in these old works to die out and not to be perpetuated.
The world of democracy belongs to poetry, not merely the democracy of the realistic novel which was willing to concede that even the poor man like the old kings and the nobility had love tragedies. Poetry will deal not with that philanthropy, which often means the master throwing crumbs to quiet the growling servant. No, it will be based on feelings that emanate from a sincere desire to promote human justice. There is no doubt that some day our system of society which permits a man to roll up billions which he squanders, while it does not allow another enough to keep himself and his family in comfort, will disappear, and poetry will express the emotions prevalent under the new order.
Much of the poetry of the past has sung the praises of wage slavery. The poetry of the future will sing as Amos did of old the beauty of social and economic equality. To-day the hero of the poem is the successful business man, or the submissive contented working man, just as in the past the soldier and the monk were the heroes. To-morrow it will be the man who fights for economic justice for himself or the masses. Our standards of economic justice are changing and this change will effect poetry. The poet who sings in defense of the capitalist or our economic system has little in common with him who is the spokesman of the common people.
Poetry springs from the people and must take into consideration their emotions in connection with their economic problems. Very little of the poetry of the past has done this. Consider the literature of the middle ages and note how seldom the troubles of the serfs and villains were expressed by the poets. There were slight efforts made in the thirteenth and fourteenth centuries, in the _Romance of the Rose_ and in Langland's _Piers Plowman_, respectively, to give some expression to the feelings of the masses.