Another notable figure in Paris passed away with Luigi Cherubini, the great Italian composer. Cherubini, many of whose works were brought out during the previous century was so popular by the beginning of the Nineteenth Century, that he was esteemed above Beethoven. A Viennese critic who ventured to say that Beethoven's "Fidelio" was of equal merit with Cherubini's "Fanisca" was laughed to scorn. Cherubini's best opera, "The Water Carrier," was brought out in Paris and London in 1800 and 1801. Owing to his disregard of Napoleon's musical opinions, Cherubini found himself out of favor throughout the First Empire in France. He retired to the estate of his friend, Prince de Chimay, and would have given up music but for the latter's request to write a Mass for his chapel. The result was the celebrated three-part Mass in F, which proved such a success that Cherubini thenceforward devoted himself to sacred music. After Napoleon's fall he received an appointment at the Paris Conservatory of Music, from the directorship of which he did not retire until 1841. Cherubini's voluminous compositions reveal him as one of the great modern masters of counterpoint. His great skill and erudition show to the best advantage in his sacred music.
Germany about this same time lost her great Oriental scholar, F.W. Genesius. Bunsen invented his carbon battery. Gervinus, the banished Hanoverian professor, brought out his History of German Literature, which ended with a stirring appeal for political unity. The same ideal, in a measure, was voiced during the ceremonies commemorating the resumption of work on the great Cathedral of Cologne. King Frederick William IV. of Prussia, fresh from the riots of Berlin, declared: "The spirit that builds this cathedral is the same that has broken our chains, and the disgrace of foreign domination over this German river--it is the spirit of German strength and unity." Even Archduke John, the uncle of the Emperor of Austria, proposed this toast: "No Austria, no Prussia; but a great united Germany--firm-rooted as her mountains."
In Russia, a concession to modern ideas was made by Czar Nicholas, in his ukase of April 14, permitting the great landholders to liberate their serfs. Another imperial ukase deprived the Roman as well as the Greek clergy of all church lands upon condemnation proceedings and money payments by the government. Russian literature, notwithstanding the strict censorship, flourished during this period. A new source of poetry was discovered by Koltsov in the Slavic folk songs. Griboyodov's new comedy, "Gore Ot Ouma" (Too Clever by Half), had already become one of the stock pieces. The success of this play was rivalled by Gogol's comedy, "The Revisor." In 1842, this same writer brought out his celebrated romance, "Dead Souls." Ivan Turgenyev was just entering upon his career.