Rangeela Raja () is a 2019 Indian Hindi-language comedy film directed by Sikander Bharti and written and produced by Pahlaj Nihalani. Starring Govinda, Mishika Chourasia and Anupama Agnihotri, the film was released on 18 January 2019. The film is a remake of Netrikan.
Plot
Natasha, a headstrong woman, wants to explore her career. She meets Raja Vijendra Pratap Singh, a business tycoon. After meeting Natasha, Singh's life turns around, as do the lives of his family. His younger brother, Ajay Pratap Singh, leads a life of a yogi and decides to bring his elder brother back on track.
Cast
Govinda as Vijendra Pratap Singh, a philandering businessman, and Ajay Pratap Singh, a pious yogi Mishika Chourasia as Natasha, a strong-headed woman working with Vijendra Pratap Singh Shakti Kapoor as Padampat, a driver Prem Chopra as Guruji Anupama Agnihotri as Aalekha, the love interest of Ajay Pratap Singh Digangana Suryavanshi as Shivranjani, the wife of Vijendra Pratap Singh
Karan Anand as Yuvraj
Aarti Gupta as Shikha
Govind Namdev as Sharma
Imran Khan as himself (special appearance)
Soundtrack
The film's soundtrack album, which consisted of five tracks, was composed by Ishwar Kumar. Shreya Ghoshal lend her voice to three of these tracks.
Release
The film was initially scheduled for release on 6 November 2018, alongside Thugs Of Hindostan. However, it was announced via the trailer released in October 2018 that the film would be released on 11 January 2019.
On 2 December 2018, the release of the film was indefinitely postponed as the Central Board of Film Certification had not yet issued a certificate for the film, which producer Nihalani appealed to the FCAT (Film Certification Appellate Tribunal). On 14 December 2018, the CBFC finally cleared the film with only three cuts, instead of the original 20, and gave their approval to Nihalani to release the film by its 11 January date.
Producer and screenwriter Pahlaj Nihalani criticized the Centre Board of Film Certification (CBFC) for not reviewing the film within 40 days of submission. The film was screened by the CBFC just two weeks ahead of its release, and the producer was asked to make 20 cuts. Nihalani accused the CBFC chairperson, Prasoon Joshi, of favoritism, saying that preferential treatment was extended to big studios. Nihalani, an ex-chairperson of CBFC, vowed to take the CBFC the Bombay High Court over its decision.
Reception
Critical response
Writing for Hindustan Times, Raja Sen articulated: "For the love of Govinda, don't watch this film. Zero star. Even Govinda's patented pelvic thrusts were harmless. He was never a toxic masculine threat, no vulgarian, merely a graceful clown. Nihalani, I'm sad to report, plumbs the depths to snatch this innocence from the actor. He assaults us with images of a sickening Govinda, a performance-enhancing rapist who laughs in the face of consequences. I emerged from this film traumatised. To paraphrase a Govinda hit: ‘Ankhiyon ko goli mare.’ I want to blow my eyes out".
