The Boy from Oz is an Australian jukebox musical based on the life of singer and songwriter Peter Allen, featuring songs written by him. The book commissioned for the musical is by Nick Enright, based on Stephen MacLean's 1996 biography of Allen. Premiering in Australia in 1998 starring Todd McKenney, a revised version of the musical, written by Martin Sherman, opened on Broadway in 2003, with Hugh Jackman in the title role.
At the ARIA Music Awards of 1998 the cast recording won the ARIA Award for Best Original Soundtrack, Cast or Show Album.
Plot
This synopsis applies to the North American production. Act I The musical begins with Australian performer Peter Allen recalling his life story, coming to terms with who he was ("The Lives of Me"). Afterwards, we go back to Allen's childhood in Tenterfield, Australia, where a young boy named Peter Woolnough is performing in local bars for money ("When I Get My Name in Lights"). Peter grows up and joins with Chris Bell to become the Allen Brothers, and they perform in Australian Bandstand ("Love Crazy"). After great success in Australia, the Allen Brothers perform in a Hong Kong Hilton hotel to Chinese businessmen. One evening, another person is watching them from the bar: the legendary Judy Garland. Peter convinces Judy to perform with them ("All I Wanted Was the Dream"), and Judy takes Peter to be the opening act in her concert in New York ("Only an Older Woman").
While in New York, Peter is introduced to Judy's daughter, Liza, and they fall in love ("Best That You Can Do"). There are rumors of Peter's homosexuality, and Judy warns Liza ("Don't Wish Too Hard"). Liza gives no attention to her warning and marries Peter ("Come Save Me").
Peter makes some mistakes, and at one of his all night parties, Liza walks in on him ("Continental American"), further fueling her suspicions that he is gay. Liza is working hard to get her career going ("She Loves to Hear the Music"), in contrast to Peter's excessive lifestyle. Judy dies, and Peter honors her ("Quiet Please, There's a Lady on Stage"). Liza's world comes crashing down as a result of her mother's death.
Liza confronts Peter on his alleged homosexuality, and their marriage ends ("I'd Rather Leave While I'm in Love"). Peter returns to Australia but realizes that he is not who people thought he was ("Not the Boy Next Door").
Act II
Back in the US, Peter has gone solo and comes to terms with his bisexuality ("Bi-Coastal"). He meets the hardworking fashion model Gregory Connell. Greg does not want to be a part of Peter's life in show business, but he falls in love with Peter ("If You Were Wondering"). They soon get discovered by music producer Dee Anthony, and he gets them a gig at the Copacabana in New York ("Sure Thing Baby"). Peter's career takes off, and he wins an Oscar for "Best That You Can Do", in addition to writing songs that were covered by artists Olivia Newton-John and Frank Sinatra. Peter gives his best performance in the Radio City Music Hall with The Rockettes ("Everything Old is New Again"), and is surprised to know his mother is also in love.
Greg becomes stricken with advanced HIV, (then known as AIDS defining illness), and even though Peter tries to help him carry on, he succumbs to his illness ("Love Don't Need a Reason"). Peter also becomes sick with advanced HIV, but Greg's spirit urges him to carry on ("I Honestly Love You"). Liza offers her support to Peter, and they both realize they had successful lives and careers without each other ("You and Me").
Peter returns to Australia and tries to tell his mother about his illness, but ultimately can't find a way to tell her. He then performs one last magnificent concert for Australia ("I Still Call Australia Home"), and witnesses a last flashback of his mother's love for him ("Don't Cry Out Loud"). Peter reflects on his life, realizing he has no regrets, before he ultimately succumbs to his disease ("Once Before I Go"), but not before going out in style with a farewell performance ("I Go to Rio"), joined by the entire cast.
Production history
Script
Stephen MacLean idolised Allen, followed his career all over the world, interviewed him many times, and filmed his Australian solo cabaret debut. After Allen's death in 1992, MacLean started work on his biography of Allen, which was published in 1996, entitled Peter Allen: The Boy from Oz, (alternative title The Boy from Oz: The Peter Allen Story).