The bride must ride to church on horseback, and having arrived she is dismounted, and later remounted without touching her feet to the ground, which rather cumbersome performance is accomplished through the help of a brother or relative, who also rides the bride's steed while the ceremony takes place within, for the horse is not to be left riderless. The procession to the church is accompanied by musicians. Before the rail which separates the choir from the body of the church, two wooden chairs are placed, upon which the couple sit down while the people present kneel on the mats covering the floor. When the time comes for the blessing of the priest, the couple arise, step inside the choir space, and stand facing each other between the high altar and two witnesses, their foreheads touching. In this position they receive the sacrament of matrimony, answering in the affirmative the questions of the priest regarding their duties to each other and to their children. Of the bride is demanded perfect faithfulness to conjugal duties, entire obedience to the husband of whom care, patience, wisdom, and love are required. The priest, taking the right hand of the bride and placing it in the hand of the bridegroom, says, "According to the divine order God gave to our ancestors, I give thee now this wife in subjection. Wilt thou be her master?" "Through the help of God I will," answers the bridegroom. The priest then asks the woman, "Wilt thou be obedient to him?" to which is answered, "I am obedient according to the order of God." These questions are repeated and replied to thrice, in evident implicit belief that once would not be sufficient. Finally, the priest ties to each of their heads a cord and cross, which is again removed by him late at night in the home with special ceremony, and it is only after this performance that the couple may enter the nuptial chamber.

After the ceremony at the church the procession starts back for the home of the bridegroom's father, the bride riding upon her horse, musician playing, and choir boys singing. The water-carriers, who have supplied drinking water, break their jars noisily before the bridegroom, drenching his marriage costume and giving rather an abrupt signal to the godfather whose business it is to tip them. Noisily the procession moves along the streets until it arrives at the gate of the house. In days past it was the custom at this point in the ceremony to place a sheep ready to be sacrificed at the feet of the young couple, the poorer people contenting themselves with chickens. The butcher put his knife to the neck of the sheep saying, "May God thus put all your enemies under your feet, Amen, Amen." Then pieces of coin mixed with raisins, pistachios, and other bits of nuts or dried fruits are showered over the people from the windows above, while the godfather leads the bridegroom within to the crowd of men, and the godmother leads the bride to the women, everybody trying to kiss the cross on their heads. The bride is then placed in the seat of honor and in her arms is laid first a little boy, and then a little girl, so that the first child may be a boy and if perchance the will of God be otherwise at least a girl. Each guest now comes to the bride to place at her feet a fruit in season. The bridegroom is called "the prince of the feast" and must never quit his seat of honor. If he does leave his chair he must place an object belonging to him upon his seat, and if he should at any time omit to do so, the assembly makes the godfather pay the necessary forfeit, which is usually a dinner. Towards nine, the guests take their leave, having eaten and sung to their uttermost desire. [172]

Armenian Legends and Festivals — Part 70