Certain ministers, of more cunning than understanding, have pretended in their writings, that marshal de Villeroi wanted to make the young king of France take the upper hand on this occasion, and that the czar made use of this stratagem to overturn the ceremonial under the appearance of good nature and tenderness; but this notion is equally false and absurd. The natural good breeding of the French court, and the respect due to the person of Peter the Great, would not permit a thought of turning the honours intended him into an affront. The ceremonial consisted in doing every thing for a great monarch and a great man, that he himself could have desired, if he had given any attention to matters of this kind. The journeys of the emperor Charles IV. Sigismund, and Charles V. to France, were by no means comparable, in point of splendour, to this of Peter the Great. They visited this kingdom only from motives of political interest, and at a time when the arts and sciences, as yet in their infancy, could not render the era of their journey so memorable: but when Peter the Great, on his going to dine with the duke d'Antin, in the palace of Petitbourg, about three leagues out of Paris, saw his own picture, which had been drawn for the occasion, brought on a sudden, and placed in a room where he was, he then found that no people in the world knew so well how to receive such a guest as the French.
He was still more surprised, when, on going to see them strike the medals in the long gallery of the Louvre, where all the king's artists are so handsomely lodged; a medal, which they were then striking, happening to fall to the ground, the czar stooped hastily down to take it up, when he beheld his own head engraved thereon, and on the reverse a Fame standing with one foot upon a globe, and underneath these words from Virgil--'Vires acquirit eundo;' an allusion equally delicate and noble, and elegantly adapted to his travels and his fame. Several of these medals in gold were presented to him, and to all those who attended him. Wherever he went to view the works of any artists, they laid the master-pieces of their performances at his feet, which they besought him to accept. In a word, when he visited the manufactories of the Gobelins, the workshop of the king's statuaries, painters, goldsmiths, jewellers, or mathematical instrument-makers, whatever seemed to strike his attention at any of those places, were always offered him in the king's name.