When the regiment gathers itself together it is a sight to behold. There are perhaps five hundred men, all told, in two ranks. A part of them rejoice in gayly-colored uniforms, but the majority are "the flood-wood," dressed in sheep's gray and blue jeans and armed with rifles, muskets, and fowling-pieces of every pattern. This motley band "toe the mark,"--a small trench that has been cut in the turf to save their reputation for alignment. Then they break into platoons, and are inspected, man by man, by the adjutant and his aides. The inspection being over about eleven o'clock, the colonel appears, all glorious in brass buttons, epaulets as large as tin plates, and a cocked hat of great proportions. Once more the regiment forms in double ranks, with presented arms. The colonel and his "staff" ride slowly down the line, turn back, and take their stand for review. The music, just as it came from every town contributing to the regiment, has been "pooled" and placed in the charge of a leader. It is a strange medley of snare-, kettle-, and bass drums, of fifes, clarionets, and piccolos, with an occasional "Kent bugle"--the predecessor of the cornet--or some other instrument of brass. It is poor music at the best, and it cannot go far beyond marking time for the marching. But is it not better than the simple drum and fife of a common training-day? The "full brass band," we must recollect, is too expensive a luxury except for the most extraordinary occasions, and even then we run the risk of hearing "Highland Mary" repeated all day long, so scant is the _répertoire_. The regiment, headed by the cavalry and the music, passes the colonel and his staff. The music wheels out of the line, gives "three cheers," and remains at the colonel's side till the regiment has returned to its place. A hollow square is formed, in imitation of the great Napoleon at Waterloo, and the colonel addresses his "brother-officers and fellow-soldiers" in a few fitting words, and retires from the field.

And now comes dinner,--a most important feature of muster-day. No one has had a bite since his breakfast at home by candle-light,--unless he has patronized the refreshment-booths. Even then he will not allow his appetite for the noonday meal to become impaired. By previous arrangement, each company dines by itself, or it joins forces with some friendly company and hires the services of a caterer. The hotel of the village cannot begin to accommodate the public, whether martial or civilian, and temporary sheds cover long lines of tables on which the feast is spread. It is a jolly company, and the scrambling for the viands and the vintages, if there are any, is done in a good-natured way. As the repast draws to a close and dessert is in order, the caterer appears at the end of one of the tables in shirt-sleeves that are more than wet with perspiration. Under his arm he holds a pile of plateless pies, just as the newsboy on the train secures a pile of magazines. The caterer marches down the length of the table with the half-inquiring, half-defiant announcement, "Pies, gentlemen! pies, gentlemen!" At every step he reaches for a pie, gives it a dexterous twirl between his thumb and finger, and sends it spinning to the recipient with a skill and accuracy of aim which would have done credit to the disk-thrower of the ancient Romans.

Lippincott's Magazine, September, 1885 — Part 59