"War sure. We move. Hide. You are trailed. Wait word to proceed Calais."
"War sure!" That was easily understood. "We move." That meant England was already mobilizing on land and sea. And the remainder became plain enough; he must stay very quietly where he was until further instructions arrived.
He read through his notes and his letter once more, then twisted letter, envelope, and penciled memoranda into a paper spiral, set fire to it with a match, and leisurely lighted his pipe with it.
When the flame of the burning paper scorched his fingers, he laid it carefully on the grass, where it was presently consumed. The charred remnants he ground to dust under his heel as he got up and brushed a spear or two of hay from his clothing.
Then he looked at the Harem, all busily committing felony with brush and colors; and, as he gazed upon them, he politely stifled a yawn.
Warner, conscientious but not hopeful, circulated among the easels of the Harem. Halkett strolled at his heels.
Stopping in front of Alameda Golden’s large canvas, which was all splashed with primary and aggressive colors, he gazed, uncomforted, upon what she had wrought there. After a few moments he said very patiently:
"You should not use a larger canvas than I have recommended to the class. Mere size is not necessarily a synonym for distinction, nor does artistic strength depend upon the muscular application of crude paint. A considerable majority of our countrymen comprehend only what is large, gaudy, and garrulous. Bulk and noise only can command their attention. On the other hand, only what is weak, vague, and incoherent appeals to the precious—the incapables and eccentrics among us. But there is a sane and healthy majority: enroll yourself there, Miss Golden!
"Be honest, reticent, and modest. If you have anything to say in paint, say it without self-consciousness, frankly, but not aggressively. Behave on canvas as you would bear yourself in the world at large, with freedom but with dignity, with sincerity governed by that intelligent consideration for truth which permits realism and idealism, both of which are founded upon fact."
"But I _see_ haystacks this way!" she insisted. "I see them in large and brilliant impressions. To me nothing looks like what it is. Haystacks appear this way to my eyes!"