[1] Gibbon, a sincere admirer of Athanasius, gives a curious history of these charges, and expresses his disbelief in their truth. The story regarding the design to intercept the corn-fleet of Alexandria is referred to in the use of the word "monopolist."
(_And Anthony beholds before him a vast basilica._
_The light gushes from the further end, marvellous as a multi-colored sun. It illuminates the innumerable heads of the crowd that fills the nave, and that eddies about the columns toward the side-aisles--where can be perceived, in wooden compartments, altars, beds, little chains of blue stones linked together, and constellations painted upon the walls._
_In the midst of the throng there are groups which remain motionless. Men standing upon stools harangue with fingers uplifted; others are praying, with arms outstretched in form of a cross; others are lying prostrate upon the pavement, or singing hymns, or drinking wine; others of the faithful, seated about a table, celebrate their agape;[1] martyrs are unbandaging their limbs in order to show their wounds; and aged men, leaning upon staffs, recount their voyages._
_There are some from the country of the Germans, from Thrace also, and from the Gauls, from Scythia and from the Indies, with snow upon their beards, feathers in their hair; thorns in the fringe of their garments; the sandals of some are black with dust, their skins are burnt by the sun. There is a vast confusion of costumes, mantles of purple and robes of linen, embroidered dalmaticas, hair shirts, sailors' caps, bishops' mitres. Their eyes fulgurate strangely. They have the look of executioners, or the look of eunuchs._
_Hilarion advances into their midst. All salute him. Anthony, shrinking closer to his shoulder, observes them. He remarks the presence of a great many women. Some of these are attired like men, and have their hair cut short. Anthony feels afraid of them._)
HILARION. "Those are Christian women who have converted their husbands. Besides, the women were always upon the side of Jesus, even the idolatrous ones, for example, Procula, the wife of Pilate, and Poppæa, the concubine of Nero. Do not tremble!--come on."
_They seem to multiply, to double themselves by self-division, light as shadows--all the while making an immense clamour, in which yells of rage, cries of love, canticles and objurgations intermingle._)