Las! Il n’a nul mal qui n’a le mal d’a-mour! Las! Il n’a nu! mal qui n’a le mal d’a-mour! La fill-e du roi est au pied de la tour, qui pleure et sou-pir-e et mène grand dou-lour.
Las! Il n’a nul mal qui n’a le mal d’a-mour. Las! Il n’a nul mal qui n’a le mal d’a-mour. Le bon roi lui dit: Ma fille, qu’avez-vous? Voulez-vous un mari? Hé-las oui, mon sei-gnoux!
Las! Il n’a nul mal qui n’a le mal d’a-mour. Las! Il n’a nul mal qui n’a le mal d’a-mour.
Achilles, modern, questioning Ulysses, 189
Ash-tree, solitary, dying, endiademed with woe, 53, 54; how its leaves are shed, 124
August, 73-76; Nature’s perfect poise, 73; cool places in, 73; the woods in, 75
Autumn garden, an, 93-96, 174, 175; farmhouse the royal flower of, 93; a farmer’s love of his, 95
Ballad, a pathetic, described, 207, 208; on the horse, 190, 237
Ballads and folk-songs, 206-208; their words and melodies richest in immortal symbols, 206, 207
Barge, a black, 143-145; its strange cargo, 145
Brook, the, 88-92; its insect, mineral, and plant life, 88-91; its meandering course, 91, 92
Burns, Robert, prejudice against his poetry for epitaphs, 114
Carbonek, castle of, 225-232; now only a ruined crag, 226; dreary outlook from, 226; and Sir Launcelot’s vision, 229-232
Catullus, love of, song suggestive of, 208
Cherry of Zennor, Hunt’s story of, 198-201; her dissatisfaction with home, 199; her strange adventure, 199; her curiosity and its consequences, 200, 201
Church, decorated, description of, 41-48; service in, 41-43; hymn-singing, 42; modern worshippers and mythical gods, 43; caged bells, 43
Church, village, description of, 176-178; dull worshippers, 177; a spiritless sermon, 178; dream of an earthly heaven, 178-180
Clouds on the sea, 216-219; their changeableness, 217, 218
Country churchyard, a, 111-115; village life in, 111; life and death in, 111, 112; epitaphs, 112-115; eighteenth and nineteenth century epitaphs compared, 112
Dawn, beauties of nature at, 15, 16; a July, 119
Dis, chariot of, coming to Persephone, 148
Elves, lingering superstitions regarding, 66
Epitaphs, 112-115; history and progress seen in, 112; sources of, 113, 114
Farm, an old, 64-68; relics of its long-dead generations, 67; a deserted, 69, 70
Farmer, his life and habits, 66-68; his house, 67; his library, 67, 68; relics of ancestors and thoughts of posterity, 68