Footnote 62: He is thus called by Bartoli.
Others also belonging to the state and its vicinity, about the time of Sacchi, quitted their native place, and became celebrated in other quarters; as Mola, of the state of Como, of whom we have treated; and Pietro de' Pietri, who, born in the Novarese, studied and died at Rome, where he has been commended by us in the school of Maratta. Antonio Sacchi, also a native of Como, acquired his knowledge at Rome, whence returning into Lombardy, he undertook to paint a cupola for his native place, but fixing on too high a point of perspective, he made his figures so gigantic that he broke his heart and died. From Como likewise sprung one Fra Emanuele, of the order of the Minori Riformati, whose name is incorrectly inserted by Orlandi in the _Abbeccedario_, as a self-taught painter. The fact is, that on being sent to reside at Messina, he became a pupil to Silla, and improving the feeble manner he had acquired in his native town, he decorated a number of places belonging to his order, both in Rome and Sicily, in a better taste. There are two of his pictures at Como, at the Riformati; a Supper in the refectory, feebly executed in the style of the declining school of Milan, and a Pietà in the church, with different saints, in a better manner; such is the advantage of practice, reflection, and good guidance even at a mature age.
This epoch produced a fine perspective painter, of whom mention is made under the Roman School, in which he studied and left some works. This is Gio. Chisolfi, a pupil of Salvator Rosa, who, on his return to Milan, besides his architectural pieces, which were esteemed among the very first, devoted himself to large histories and altar-pieces, and executed frescos in a good taste for the Certosa of Pavia, and the Santuario of Varese. He was followed with success by one of his nephews, Bernardo Racchetti, whose perspectives, no less than those of Clemente Spera, are frequently met with in collections. Torre makes mention also of a native of Lucca, who succeeded in perspective and in figures, named Paolo Pini. I have seen only of his a history of Rahab, at S. Maria di Campagna, at Piacenza, of which the architecture is very fine, the figures light and touched with a spirited hand. In extensive works of ornamental fresco, Pier Francesco Prina is commended by Orlandi, with the two Mariani, Domenico and his son Gioseffo. The father remained stationary at Milan, and educated, among other pupils, Castellino da Monza; but the son visited Bologna, and there succeeded in improving his paternal manner so as to distinguish himself throughout Italy and Germany. These names will suffice to give a view of a period, not remarkable for the best taste in this species of painting.