The Art of the Steal is a 2009 documentary film directed by Don Argott, about the controversial move of the Barnes Foundation, generally considered to be the world's best collection of post-Impressionist art and valued in 2009 to be worth at least $25 billion, from Merion, Pennsylvania to Philadelphia. The move was disputed because Dr. Albert C. Barnes, who died in 1951, had specifically selected Lower Merion Township for its location. The collection was moved in 2012 to Philadelphia. The film presents an account of the claimed breaking of Barnes's will, which it presents as a decades-long process that was initiated by Philadelphians who were enemies of Barnes while he was alive, and that was continued by their heirs.
Subject and making of the film
The will of Dr. Barnes established the Foundation with strict rules against ever moving the collection or any of its paintings away from its location, and to serve primarily as a school for the teaching of art, art criticism, and art appreciation, and not primarily as a museum for the general public. The people who supported the move argued that the collection should instead become a major tourist attraction for Philadelphia. The supporters of Merion claimed that the Philadelphians were less interested in Dr. Barnes's will than in enhancing their power by taking over the control of a $25+ billion asset.
The collection was located in a residential neighborhood about five miles from Philadelphia. Because of the constant efforts by the Philadelphia aristocracy to seize the collection, the Commonwealth of Pennsylvania refrained from contributing funds to make its endowment sufficient, but secretly arranged to provide $100 million of taxpayer funds only once the control of the Foundation was taken over by the new board. The new president and officers of the board succeeded in challenging the will to enable it to send some pieces on tour to earn enough money for needed renovations to the facility to preserve the artwork and provide security. But little went to the upkeep of the facility, because the funds were drained away by the legal contest of the will.
The 9,000-piece collection of mostly late-19th- and early-20th-century art includes 181 Renoirs, 69 Cézannes, 60 Matisses, 44 Picassos, and 14 Modiglianis. What makes the collection extraordinary is not just the artists, but that Dr. Barnes acquired so many of the very best works of each of those masters. The extraordinarily high overall quality of the works is the chief special attribute of the collection.
While the film includes journalists, art historians and public figures on both sides of the long debate, many of the figures discussed in it, such as Rebecca Rimel (CEO of the Pew Charitable Trusts, the group which purportedly benefited financially from the Barnes's move); Raymond G. Perelman (a powerful local billionaire alleged to have orchestrated the move); and Bernard C. Watson (the president of the Barnes Foundation, who was accused of giving over its control to the Philadelphia authorities) declined to be interviewed for the documentary.
Reception and distribution
The film was met with mixed and emotional reactions when it was shown at the New York Film Festival. Director Don Argott described the Q&A session that followed the film: "People were yelling, screaming at each other. These issues bring out these emotions. I'm not sure why. But for some reason the Barnes stirs something up in people." Executive Producer Lenny Feinberg said "[We had] no idea we would ever be where we are today ... everywhere we go, there's lines of people. We've not had a Q&A session where they haven't had to throw us out, because it went on too long."
Ten days after its premiere at the 2009 Toronto International Film Festival, the film was acquired by Rainbow Media, now AMC Networks, and owner of IFC Films. The film was ultimately distributed to more than 100 theaters in North America and made available for online streaming through SundanceNow.
In addition to the New York Film Festival and Toronto International Film Festival, the film was also named an Official Selection of the AFI Film Festival 2009.