_Ralph_ “The Lighthouse Cliff.” _Raphael_ (and _Phidias_) “The Marble Heart.” _Ratcliff_ “King Richard III.” _Reuben_ “Schermerhorn’s Boy.” _Richard Hare_ “East Lynne.” _Richmond_ “King Richard III.” _Robert Landry_ “The Dead Heart.” _Robert Macaire_ “Robert Macaire.” _Rory O’More_ “Rory O’More.” _Rosencrantz_ “Hamlet.” _Ruby Darrell_ “Hearts of Oak.” _Rudolph_ “Leah the Forsaken.” _Rudolphe_ “Agnes.”

_Salanio_ “The Merchant of Venice.” _Sambo_ “Uncle Tom’s Cabin.” _Santo_ “Gaspardo.” _Secretary_ “Richelieu.” _Second Player_ “Hamlet.” _Selim_ “The Forty Thieves.” _Signor Mateo_ “The Miser’s Daughter.” _Simon Lullaby_ “A Conjugal Lesson.” _Simon Legree_ “Uncle Tom’s Cabin.” _Simon, the Cobbler_ “Marie Antoinette.” _Sir Francis Leveson_ “East Lynne.” _Slave_ “Pygmalion and Galatea.” _Spada_ “The Woman in Red.” _Stuttering Tailor_ “Katharine and Petruchio.” _Strale_ “Checkmate.” _Sylvius_ “As You Like It.”

The Life of David Belasco — Part 69

_Terry Dennison_ “Hearts of Oak.” _The Destroyer_ “The Haunted Man.” _Tim Bolus_ “My Turn Next.” _Timothy Tubbs_ “The Millionaire’s Daughter.” _Tony Lumpkin_ “She Stoops to Conquer.” _Topsy_ “Uncle Tom’s Cabin.” _Trip_ “The School for Scandal.” _Tubal_ “The Merchant of Venice.”

The Life of David Belasco — Part 69

[Illustration: DAVID BELASCO AS _FAGIN_, IN “OLIVER TWIST”

The Life of David Belasco — Part 69

Photograph by Bradley & Rulofson, San Francisco.

_Valentine_ “Faust.” (Abridgment of). _Vasquez_ “The Wonder.”

_Waiter_ “The Gamester.” _Waiter_ (_Negro_) “Fritz in a Madhouse.”

Other plays in which Belasco has performed,--as I have ascertained from newspaper advertisements or notices and from miscellaneous records, without, however, finding specification of the parts in them which he acted,--include “A Bull in a China Shop,” “Damon and Pythias,” “The French Spy,” “A Hard Struggle,” “The Lone Pine,” “Mazeppa,” “Medea,” “Mimi,” “Nobody’s Child,” “Pizarro,” and “The Red Pocketbook.” I have no doubt that he made unrecorded and now unremembered appearances in many other plays besides these.

To the catalogue previously given of readings and recitations frequently employed by Belasco should be added “Tell Me Not in Mournful Numbers,” “The Maiden’s Prayer,” “Little Jim, the Collier’s Lad,” “Scenes from ’King Louis XI.,’” “Shamus O’Brien,” “The Little Hero,” “No One to Love Him,” “The Trial Scene, from ’The Merchant of Venice,’” “Selections from ’Oliver Twist’” (the scene on London Bridge, scene wherein _Fagin_ causes _Sikes_ to murder _Nancy_, and _Fagin_ awaiting execution), “The Country Bumpkin’s Courtship,” “Eliza,” “The Dream of Eugene Aram,” and “Jim Bludso.”