The means available for forming some just estimate of the character of native American art are now abundant. In the National Museum at Washington; the Peabody Museum at Cambridge, Mass.; the Peabody Academy at Salem; the Academy of Natural Sciences at Philadelphia; the American Antiquarian Society at Worcester, Mass.; and in various Historical Societies and University Museums throughout the States; the student of American archæology has the means of obtaining a comprehensive view of the native arts. At the Centennial Exposition of Philadelphia in 1876, the various States vied with one another in producing an adequate representation of the antiquities specially characteristic of their own localities; and numerous valuable reports, of the Smithsonian Institution, the United States Geographical Surveys, the Geological Survey of Canada, and the Geological Surveys of various States, have furnished data for determining the prehistoric chroniclings of the northern continent.
One of the latest publications of this class is Dr. Abbott’s own volume, entitled _Primitive Industry: or Illustrations of the Handiwork in Stone, Bone, and Clay of the native Races of the Northern Atlantic Seaboard of America_. It is a most instructive epitome of North American archæology. Notwithstanding the limits set in the title, works in metal as well as in stone are included; and what are the results? Twenty-one out of its twenty-three chapters are devoted to the detailed illustrations of stone and flint axes, celts, hammers, chisels, scrapers, drills, knives, etc. Fish-hooks, fish-spears, awls or bodkins, and other implements of bone, pottery, pipes both in stone and clay, and personal ornaments, receive the like detailed illustration; but nearly all are in the rudest stage of rudimentary art. An advance upon this is seen in the pottery of some southern states. That of the Mound-Builders appears to have shown both more artistic design and better finish. The carving in bone, ivory, and slate-stone of various western tribes, as well as of the extinct Mound-Builders, was also of a higher character. But taking them at their highest, they cannot compare in practical skill or variety of application with the industrial arts of Europe’s Neolithic age; and we look in vain for any traces of higher progress. For well nigh four centuries, this continent has been familiar to European explorers and settlers. During some considerable portion of that time, by means of agricultural operations, and all the incidents consequent on urban settlement, its virgin soil has been turned up over ever-increasing areas. For nearly forty years I have myself watched, with the curious interest of one previously familiar with the minute incidents of archæological research in Britain, the urban excavations, railway cuttings, and other undesigned explorations of Canadian soil. Within the same period, both in Canada and the United States, extensive canal, railway, and road-works have afforded abundant opportunities for research; and a widespread interest in American antiquities has tended to confer an even exaggerated importance on every novel discovery. And with what result? Dr. Abbott, in crowning such explorations with his interesting and valuable discovery of the turtle-back celts and other implements of the Delaware gravel, has epitomised the prehistoric record of the northern continent. The further back we date the presence of man in America, the more marvellous must his unprogressive condition appear. Whatever may be the ampler disclosures relative to the palæolithic or primeval race, it does not seem probable that this northern continent will now yield any antiquities suggestive of an extinct era of native art and civilisation. Here we cannot hope to find a buried Ilium, or Tadmor in the Wilderness. Everywhere the explorer wanders, and the agriculturist follows, turning up the soil, or digging deeper as he drains and builds; but only to disturb the grave of the savage hunter. The Mound-Builders of its great river-valleys have indeed left there their enduring earthworks, wrought at times in regular geometrical configuration on a gigantic scale, strangely suggestive of some overruling and informing mind guiding the hand of the earthworker. But their mounds and earthworks disclose only implements of bone and flint or stone, with here and there an equally rude tool of hammered native copper. The crudest metallurgy of Europe’s Copper age was unknown to their builders. The art of Tubal-cain, the primitive worker in brass and iron, had not dawned on the mind of any native artificer.