Roy Anthony Hargrove (October 16, 1969 – November 2, 2018) was an American jazz musician and composer whose principal instruments were the trumpet and flugelhorn. He achieved worldwide acclaim after winning two Grammy Awards for differing styles of jazz in 1998 and 2002. Hargrove primarily played in the hard bop style for the majority of his albums, but also had a penchant for genre-crossing exploration and collaboration with a variety of hip hop, soul, R&B and alternative rock artists. As Hargrove told one reporter, "I've been around all kinds of musicians, and if a cat can play, a cat can play. If it's gospel, funk, R&B, jazz or hip-hop, if it's something that gets in your ear and it's good, that's what matters."
Biography
Hargrove was born in Waco, Texas, to Roy Allan Hargrove and Jacklyn Hargrove. When he was 9, his family moved to Dallas, Texas. He took lessons at school initially on cornet before turning to trumpet. One of Hargrove's most profound early influences was a visit to his junior high school by saxophonist David "Fathead" Newman, who performed as a sideman in Ray Charles's Band. Hargrove's junior high music teacher, Dean Hill, whom Hargrove called his “musical father,” taught him to improvise and solo. He was discovered by Wynton Marsalis when Marsalis visited the Booker T. Washington High School for the Performing and Visual Arts in Dallas. Hargrove credited trumpeter Freddie Hubbard as having the greatest influence on his sound.
Hargrove spent a year (1988–1989) studying at Boston's Berklee College of Music but could more often be found playing in New York City jam sessions; he eventually transferred to the New School in New York. His first studio recording there was with saxophonist Bobby Watson for Watson's album No Question About It. Shortly thereafter, Hargrove recorded with the band Superblue featuring Watson, Mulgrew Miller, Frank Lacy, Don Sickler and Kenny Washington.
In 1990, Hargrove released his debut solo album, Diamond in the Rough, on the Novus/RCA label. This album, and the three succeeding recordings Hargrove made for Novus with his quintet, were among the most commercially successful jazz recordings of the early 1990s and made him one of jazz's in-demand players.
As a side project to his solo and quintet recordings, Hargrove also was the leader of The Jazz Networks, an ensemble of American and Japanese musicians which released 5 albums between 1992 and 1996 and featured other notable jazz artists, including Antonio Hart, Rodney Whitaker and Joshua Redman. (These albums were originally released only in Japan and Europe, but after Hargrove's death, his estate arranged for release on streaming platforms in the U.S.)
Hargrove topped the category "Rising Star–Trumpet" in the DownBeat Critics Poll in 1991, 1992 and 1993. During this time in his early career, Hargrove was known as one of the “Young Lions,” a group of rising jazz musicians — including, among others, Marcus Roberts, Mark Whitfield and Christian McBride — who, embracing the foundations of jazz, played principally bebop, hard bop and the Great American Songbook standards. Hargrove, along with other of the "Young Lions," formed an all-star band in 1991 called The Jazz Futures, which released one critically acclaimed album Live in Concert before going their separate ways.
In 1993, Jazz at Lincoln Center commissioned Hargrove to compose an original jazz suite, and he premiered The Love Suite: In Mahogany at Lincoln Center with his sextet that year.
In 1994, Hargrove signed with Verve and recorded With the Tenors of Our Time featuring Joe Henderson, Stanley Turrentine, Johnny Griffin, Joshua Redman, and Branford Marsalis. Also that year, Hargrove appeared on the eponymous debut album of Buckshot LeFonque, a jazz-funk band led by Branford Marsalis.
In 1995, Hargrove released his next album, Family, and experimented with a trio format that same year on Parker's Mood, an album recorded with bassist Christian McBride and pianist Stephen Scott. The Penguin Jazz Guide identifies Parker's Mood as one of the “1001 Best Albums” in the history of the genre.
Also in 1995, Hargrove formed the Roy Hargrove Big Band to perform at the Panasonic Jazz Festival in New York. The band would go on to perform worldwide and feature big band arrangements of Hargrove's own compositions as well as his favorite songs by respected contemporaries.