‘Finola. That’s what we call Miss Goold--Augusta Goold, you know. We call her Finola because she shelters the rest of us under her wings when the Moyle gets tempestuous. You remember the story?’

‘Of course I do,’ said Hyacinth, who had learnt the tale of Lir’s daughter as other children do Jack the Giant-Killer. ‘And who is Miss O’Dwyer?’

Hyacinth — Part 18

‘Oh, she writes verses. Surely you know them?’

Hyacinth — Part 18

‘What a pity! We all admire them immensely. She has something nearly every week in the _Croppy_. She has just brought out a volume of lyrics. Her brother worked the publishing of it in New York. He is mixed up with literary people there. You must have heard of him at all events. He’s Patrick O’Dwyer, one of the few who stood by O’Neill when he fought the priests. He gave up the Parliamentary people after that. No honest man could do anything else.’

Hyacinth — Part 18

He conducted Hyacinth to one of the old squares on the north side of the city. When the tide of fashion set southwards, spreading terraces and villas from Leeson Street to Killiney, it left behind some of the finest houses in Dublin. Nowadays for a comparatively low rent it is possible to live in a splendid house if you do not aspire to the glory of a smart address. Miss O’Dwyer’s house, for instance, boasted a spacious hall and lofty sitting-rooms, with impressive ceilings and handsome fireplaces; yet she paid for it little more than half the rent which a cramped villa in Clyde Road would have cost her. Even so, it was somewhat of a mystery to her friends how Miss O’Dwyer managed to live there. A solicitor who had his offices on the ground-floor probably paid the rent of the whole house; but the profits of verse-making are small, and a poetess, like meaner women, requires food, clothes, and fire. Indeed, Miss O’Dwyer, no longer ‘M. O’D.,’ whose verses adorned the _Croppy_, but ‘Miranda,’ served an English paper as Irish correspondent. It was a pity that a pen certainly capable of better things should have been employed in describing the newest costume of the Lord Lieutenant’s wife at Punchestown, or the confection of pale-blue tulle which, draped round Mrs. Chesney, adorned a Castle ball. Miss O’Dwyer herself was heartily ashamed of the work, but it was, or appeared to her to be, necessary to live, and even with the aid of occasional remittances from Patrick in New York, she could scarcely have afforded her friends a cup of tea without the guineas earned by torturing the English language in a weekly chronicle of Irish society’s clothes. Even with the help of such earnings, poverty was for ever tapping her on the shoulder, and no one except Mary herself and her one maid-servant knew how carefully fire and light had to be economized in the splendid rooms where an extinct aristocracy had held revels a century before.