My second letter follows that of yesterday, May 2d. Pasqualati tells me to-day, after the lapse of a month and six days, that the house of Ballabene is too _high and mighty_ to assist me in this matter. I must therefore appeal to your _insignificance_ (as I myself do not hesitate to be so mean as to serve other people). My house-rent amounts to 550 florins, and must be paid out of the sum in question.

As soon as the newly engraved pianoforte pieces appear, you shall receive copies, and also of the "Battle," &c., &c. Forgive me, forgive me, my generous friend; some other means must be found to forward this affair with due promptitude.

Beethoven's Letters 1790-1826, Volume 1 of 2 — Part 86

I always hoped to meet you one day in London, but many obstacles have intervened to prevent the fulfilment of this wish, and as there seems now no chance of such a thing, I hope you will not refuse a request of mine, which is that you will be so obliging as to apply to some London publisher, and offer him the following works of mine. Grand Trio for piano, violin, and violoncello [Op. 97], 80 ducats. Pianoforte Sonata, with violin accompaniment [Op. 96], 60 ducats. Grand Symphony in A (one of my very best); a short Symphony in F [the 8th]; Quartet for two violins, viola, and violoncello in F minor [Op. 95]; Grand Opera in score, 30 ducats. Cantata with Choruses and Solos ["The Glorious Moment"], 30 ducats. Score of the "Battle of Vittoria" and "Wellington's Victory," 80 ducats; also the pianoforte arrangement of the same, if not already published, which, I am told here, is the case. I have named the prices of some of these works, on a scale which I hold to be suitable for England, but I leave it to you to say what sum should be asked both for these and the others. I hear, indeed, that Cramer [John, whose pianoforte-playing was highly estimated by Beethoven] is also a publisher, but my scholar Ries lately wrote to me that Cramer not long since _publicly expressed his disapproval of my works_: I trust from no motive but that of _being of service to art_, and if so I have no right to object to his doing this. If, however, Cramer should wish to possess any of my _pernicious_ works, I shall be as well satisfied with him as with any other publisher; but I reserve the right to give these works to be published here, so that they may appear at the same moment in London and Vienna.

Beethoven's Letters 1790-1826, Volume 1 of 2 — Part 86