We may, then, reasonably hope to obtain before long a daily picture of the sun and a photographic record of its prominences, and even of a certain portion of the solar corona; but the precious moments of each solar eclipse will always be invaluable for picturing those wondrous details in the corona that are now shown us by photography, and which can be obtained by photography alone.
Again, how very much is to be learnt in solar physics from the marvelous photographs of the sun's spectrum exhibited last summer by Professor Rowland; photographs that show as many as one hundred and fifty lines between H and K, and which he is still laboring to improve! The extension, too, of the visible solar spectrum into the ultra-violet by Corun, Mascart, and others, adds much to our knowledge of the sun; while the photographs of Abney in the ultrared increase our information in a direction less expected and certainly less easy of attainment. Both these extensions we find most ably utilized in the recent discussion of the very interesting photographs of the spectra of the prominences and of the corona taken during the total eclipse of May 18, 1882; and the photographic results of this eclipse afford ample proof that we can not only obtain pictures of the corona by photography that it would be impossible otherwise to procure, but also that in a few seconds information concerning the nature of the solar atmosphere may be furnished by photography that it would otherwise take centuries to accumulate, even under the most favorable circumstances.
The advantages to be gained by accurate photographs of the moon and planets, that will permit great enlargements, are too obvious to call for lengthened notice in such a rapid sketch as the present; for it is principally in the observation of details that the eye cannot grasp with the required delicacy, or with sufficient rapidity, that photography is so essential for rapid and sure progress.
Like the sketches of a solar eclipse, the drawings that are made of comets, and still more of nebulæ, even by the most accomplished artists, are all, to say the least, open to doubt in their delicate details. And the truth of this is so obvious, that it is the expressed opinion of an able astronomer that a single photograph of the nebula of Orion, taken by Mr. Common, would be of more value to posterity than the collective drawings of this interesting object so carefully made by Rosse, Bond, Secchi, and so many others.