Haydn was for more than thirty years _maestro di capello_ to Prince Eszterházy; and, during that period, lived chiefly with the family. His portrait is still preserved, and it is almost the only picture of much interest the palace contains. Haydn was a very poor and obscure person when he was appointed one of the prince's band; so much so, that no one thought even of giving the necessary orders for his being admitted into the palace. The following anecdote of his introduction to the prince is recounted by Carpani:

"The Maestro Friedberg, a friend and admirer of Haydn, lived with Prince Eszterházy. Regretting that Haydn should be overlooked, he persuaded him to compose a symphony worthy of being performed on the birthday of his highness. Haydn consented; the day arrived; the prince, according to custom, took his seat in the midst of his court, and Friedberg distributed the parts of Haydn's symphony to the performers. Scarcely had the musicians got through the first allegro, when the prince interrupted them to ask who was the author of so beautiful a piece. Friedberg dragged the modest, trembling Haydn from a corner of the room into which he had crept, and presented him as the fortunate composer. 'What,' cried the prince, as he came forward, 'that Blackymoor!' (Haydn's complexion was none of those which mock the lily's whiteness.) 'Well, blacky, from henceforth you shall be in my service; what's your name?' 'Joseph Haydn.' 'But you are already one of my band; how is it I never saw you here before?' The modesty of the young composer closed his lips, but the prince soon put him at his ease. 'Go and get some clothes suitable to your rank,--don't let me see you any more in such a guise; you are too small; you look miserable, sir; get some new clothes, a fine wig with flowing curls, a lace collar, and red heels to your shoes. But mind, let your heels be high, that the elevation of your person may harmonize with that of your music. Go, and my attendants will supply you with all you want.' ... The next day Haydn was travestied into a gentleman. Friedberg often told me of the awkwardness of the poor Maestrino in his new habiliments. He had such a gawky look that everybody burst into a laugh at his appearance. His reputation, however, as his genius had room to manifest itself, grew daily, and he soon obtained so completely the good-will of his master, that the extraordinary favor of wearing his own hair and his simple clothes was granted to his entreaties. The surname of the Blackymoor, however, which the prince had bestowed upon him, stuck to him for years after."

With the World's Great Travellers, Volume IV — Part 140