A damsel with a dulcimer In a vision once I saw: It was an Abyssinian maid, And on her dulcimer she played Singing of Mount Abora!

--his voice seemed to mount and melt into air, as the images grew more visionary, and the suggested associations more remote."[2]

Biographia Epistolaris, Volume 1. — Part 82

Mr. De Quincey thus describes him at thirty-four, in the summer season of 1807, about a year and a half after the date of Mr. Allston's portrait.

Biographia Epistolaris, Volume 1. — Part 82

"I had received directions for finding out the house where Coleridge was visiting; and in riding down a main street of Bridgewater, I noticed a gateway corresponding to the description given me. Under this was standing, and gazing about him, a man whom I shall describe. In height he might seem to be above five feet eight: (he was in reality about an inch and a half taller;) his person was broad and full, and tended even to corpulence: his complexion was fair, though not what painters technically style fair, because it was associated with black hair: his eyes were large and soft in their expression: and it was from the peculiar appearance of haze or dreaminess, which mixed with their light, that I recognised my object. This was Coleridge. I examined him steadfastly for a minute or more: and it struck me that he saw neither myself nor any object in the street.

Biographia Epistolaris, Volume 1. — Part 82

He was in a deep reverie, for I had dismounted, made two or three trifling arrangements at an inn door, and advanced close to him, before he had apparently become conscious of my presence. The sound of my voice, announcing my own name, first awoke him; he started, and for a moment, seemed at a loss to understand my purpose or his own situation; for he repeated rapidly a number of words which had no relation to either of us. There was no 'mauvaise honte' in his manner, but simple perplexity, and an apparent difficulty in recovering his position among daylight realities. This little scene over, he received me with a kindness of manner so marked that it might be called gracious.

Coleridge led me to a drawing room and rang the bell for refreshments, and omitted no point of a courteous reception. He told me that there would be a very large dinner party on that day, which perhaps might be disagreeable to a perfect stranger; but, if not, he could assure me of a most hospitable welcome from the family. I was too anxious to see him, under all aspects, to think of declining this invitation. And these little points of business being settled, Coleridge, like some great river, the Orellana, or the St. Lawrence, that had been checked and fretted by rocks or thwarting islands, and suddenly recovers its volume of waters, and its mighty music, swept, at once, as if returning to his natural business, into a continuous strain of eloquent dissertation, certainly the most novel, the most finely illustrated, and traversing the most spacious fields of thought, by transitions, the most just and logical, that it was possible to conceive."