{ ~GREEK CAPITAL LETTER PHI~}{ ~GREEK SMALL LETTER UPSILON WITH TONOS~}{ ~GREEK SMALL LETTER TAU~}{ ~GREEK SMALL LETTER EPSILON~}{ ~GREEK SMALL LETTER UPSILON~}{ ~GREEK SMALL LETTER MU~}' { ~GREEK SMALL LETTER ALPHA WITH PSILI~}{ ~GREEK SMALL LETTER CHI~}{ ~GREEK SMALL LETTER EPSILON~}{ ~GREEK SMALL LETTER IOTA WITH TONOS~}{ ~GREEK SMALL LETTER RHO~}{ ~GREEK SMALL LETTER OMEGA~}{ ~GREEK SMALL LETTER TAU~}{ ~GREEK SMALL LETTER OMICRON~}{ ~GREEK SMALL LETTER NU~} { ~GREEK SMALL LETTER ALPHA~}{ ~GREEK SMALL LETTER UPSILON WITH PSILI~}{ ~GREEK SMALL LETTER TAU~}{ ~GREEK SMALL LETTER OMICRON WITH TONOS~}{ ~GREEK SMALL LETTER PI~}{ ~GREEK SMALL LETTER OMICRON~}{ ~GREEK SMALL LETTER IOTA~}{ ~GREEK SMALL LETTER OMICRON~}{ ~GREEK SMALL LETTER NU~} { ~GREEK SMALL LETTER GAMMA~}{ ~GREEK SMALL LETTER LAMDA~}{ ~GREEK SMALL LETTER ALPHA~}{ ~GREEK SMALL LETTER UPSILON~}{ ~GREEK SMALL LETTER KAPPA~}{ ~GREEK SMALL LETTER ALPHA WITH PERISPOMENI~}{ ~GREEK SMALL LETTER FINAL SIGMA~} { ~GREEK SMALL LETTER PI~}{ ~GREEK SMALL LETTER ALPHA~}{ ~GREEK SMALL LETTER IOTA~}{ ~GREEK SMALL LETTER DELTA~}{ ~GREEK SMALL LETTER OMICRON~}{ ~GREEK SMALL LETTER TAU~}{ ~GREEK SMALL LETTER RHO~}{ ~GREEK SMALL LETTER OMICRON WITH TONOS~}{ ~GREEK SMALL LETTER PHI~}{ ~GREEK SMALL LETTER OMICRON~}{ ~GREEK SMALL LETTER UPSILON~} { ~GREEK SMALL LETTER PHI~}{ ~GREEK SMALL LETTER UPSILON WITH TONOS~}{ ~GREEK SMALL LETTER LAMDA~}{ ~GREEK SMALL LETTER LAMDA~}{ ~GREEK SMALL LETTER OMICRON~}{ ~GREEK SMALL LETTER NU~} { ~GREEK SMALL LETTER EPSILON WITH PSILI~}{ ~GREEK SMALL LETTER LAMDA~}{ ~GREEK SMALL LETTER ALPHA~}{ ~GREEK SMALL LETTER IOTA WITH TONOS~}{ ~GREEK SMALL LETTER ALPHA~}{ ~GREEK SMALL LETTER FINAL SIGMA~}.
He calls upon Pan to leave his native groves and the woodland pastures of Lycaeus, just as Horace describes him as passing nimbly from his Arcadian haunt to the Sabine Lucretilis. These gods, nymphs, and satyrs of an alien belief were now to Romans as to Greeks the recognised materials which art and song had to shape into new forms. In the vigorous prime of Greek poetry, so late even as the age of Sophocles and Herodotus, there was a real belief in the personal existence and active agency of these supernatural beings. This real belief first gave birth to, and was afterwards merged in, the representations of art. Art, which owed its birth to religious sentiment, superseded it. But after a time and under new conditions the strong admiration for the beauty or significance of the objects represented in art produces a strong wish to revive the belief in their reality; and in minds peculiarly susceptible of such influences the wish tends to fulfil itself.