The conversation during dinner was almost entirely on the subject of the model, and flowed on pleasantly enough, except when interrupted by coughing; but all the children were glad when meal-time was over, and their mother, with Amy and Elsie skipping before her, went off to hunt over her little stores for such materials as might be found useful. Lucius employed the time of their absence in exploring the lumber-room for tops of old boxes or other bits of wood that might, when fastened together, do for the ground-frame of the model, into which the gilded pillars might be fixed. Dora, with pencil and paper, busied herself in trying to make an embroidery pattern, introducing the figures of cherubim. Agnes, who was too weak for much exertion, and who took less keen interest in the work than did her sisters, lay on the sofa reading a book, until the return of Amy and Elsie, each of whom carried some little treasure in her hands.
“Look, Agnes, look at these shining reels of gold and silver thread!” exclaimed the youngest child with eager delight.
“Gold thread—ah! that’s just what I want!” cried Dora, throwing down her pencil.
“And here is mamma’s book of gold leaf; there is a little gold sheet between every one of the pages,” continued Elsie. “But oh! it is so thin, so very thin, one dare not breathe near, or the gold would all fly away!”
“I thought that gold was a very heavy metal,” observed Agnes, looking up from her book.
“But it is beaten out into such extreme fineness that a bit of gold no larger than a pea would gild all these,” said Lucius, who had just entered the room with his arms full of pieces of wood.
“See, Agnes, what we have brought for you!” cried Amy. “Here is a beautiful piece of blue merino for the outer curtains (the badgers’-skin cover, you know), and blue silk with which to sew it; and here is another piece of mohair for the goats’-skin cover, so you are supplied directly with everything that you need; is not that nice?”
Agnes did not look so much delighted as her sister expected that she would; perhaps because she was scarcely well enough to take much pleasure in sewing; perhaps because she had still a lingering feeling of mortification at not having been trusted with the embroidery part of the work.