“We know,” he continues, “that music is hateful and unbearable to the devils, and I am not ashamed to declare, that next to theology only music is able to afford interior peace and joy. The devil likes to cause us trouble and perplexity, but he takes to flight at the sound of music, just as he does at the words of theology, and for this reason the prophets always combined theology and music, the teaching of truth and the chanting of psalms and hymns.” “It was thus that David with his harp,” he said on another occasion, “allayed Saul’s temptations when the devil plagued him.... Do not dispute with the devil about the law, for he is a rare conjurer.”[458] “He has a bulwark against us in our flesh and blood; ... when he makes me fancy that God is far from me, I say: Well then, I will cry and call upon Him.”[459] “ Many temptations and evil thoughts are dispelled by music.”[460] “Singers are cheerful and drive away cares with song.”[461]
Senfl’s sweet and charming motets had, he assures him, special power over him.[462] “But I allow myself to be carried away almost too much by my love for this art,” he says at the end of his letter to Senfl, “which has often refreshed me and delivered me from great molestations.”
It would doubtless have been of great advantage to Luther’s cause had his insistent praise of the person he is addressing, and of the Dukes of Bavaria for their love of music, succeeded in securing for him a footing in Munich. He does not in this letter conceal the fact that these Dukes were not favourably disposed towards him. Senfl, though holding constant intercourse with the followers of the new teaching, remained a member of the Catholic Church, nor were the Dukes of Bavaria, for all their enlightened ideas, to be tricked into a compromise with heresy by any attempt, however clever and pious in appearance. The warm expression of trust and confidence in God, such as we find here, was not unusual in the letters Luther addressed to princely Courts and high officers of state.
FROM THE PEASANT WAR TO THE DIET OF AUGSBURG (1525-1530)
WHEN, in November, 1524, Spalatin, on the occasion of an enquiry made by a lady, ventured to broach the question when Luther proposed taking a wife, he received the following answer: He was to tell the enquirer (Argula), that Luther was “in the hands of God, as a creature whose heart He could fashion as He would; whom He was able to kill or to make alive at any hour and any moment.” His feelings were yet foreign to matrimony. “But I shall neither set bounds to God’s action in my regard, nor listen to my own heart.”[463] By these words, which were addressed to all observers and critics, he not only left himself an open door, but attempted to describe his state in the terms of that pseudo-mysticism of man’s bondage and lack of free will as regards God’s designs to which at times he was wont to abandon himself more or less completely, according to the varying circumstances of his life.