Or if invited to respond to a toast, he passes through a similar experience. He may find the outline of a speech on that very topic; he either uses it as it is printed or makes an effort to improve it by abridgment or enlargement. Next he looks through the treasury of anecdotes, selects one, or calls to mind one he has read elsewhere which he considers better. He then studies both of them in their bearings on the subject upon which he is to speak, and longs for the hour to arrive, when he will surprise and delight his friends by his performance. He rises to speak conscious that he knows a great deal, not only about the toast assigned to him, but about other toasts as well--feels that he has something to say which, at least, will fill in the time, and save him from confusion and discredit. He even hopes to win applause by means of the stories and happy turns with which his speech is interspersed.
He has thus satisfactorily taken the first step toward becoming a ready and entertaining after-dinner speaker. The sense of knowing how to do what is expected of him has a wonderfully quieting effect upon his nerves; and thus the study of this book will greatly add to the confidence of a speaker, and the effectiveness of his delivery. Whatever graces of manner he possesses will become available, instead of being subverted by an overmastering fear.
It is not easy to mention all the uses of such a manual. One who has been accustomed to speaking, but fears he is getting into a rut, can turn to this text-book and find something which is _not_ so distressingly his own, that his friends expect him to parade it before them on all occasions.
He may glance over the outline of a speech altogether new and strange to him, and endeavor to adapt it to his own use; or he may weave together fragments of several speeches, or take the framework of one and construct upon it a speech which will enable him to make a new departure. A writer sometimes, after years of practice, finds it difficult to begin the composition of some simple reception or commemorative address; but the reading of a meagre outline, not one word or idea of which may be directly used, serves to break the spell of intellectual sloth or inertia, and starts him upon his work briskly and hopefully.