Though she had passed that way twice a day for years on end--always in consciousness of that aloof spirit informing the inanimate, and in such resentment thereof as properly rewarded a studied insolence--never before to-day had Sarah Manvers found the genius of the neighbourhood so unmitigatedly intolerable. It was with downright relief that presently she turned from the avenue eastward and accomplished in the span of one short cross-town block a transit of the most violent contrasts, from the dull dignity of the socially eligible, if somewhat _passé_, through a stratum of shabby gentility, to a region of late years dedicated to the uses of adversity undisguised.
A few doors short of Lexington Avenue she paused, sighed, turned, climbed weather-bitten steps to a brownstone entrance, and addressed herself to three long flights of naked stairs.
She left behind, at the entrance, the dingy parlours of "Mme. Levin, Modes et Toilettes," on the first landing the wailing-rooms of a hag-ridden teacher of vocal culture, on the next several dusty chambers perennially unrented, and gained at the top an open door whose panels sported a simple rectangle of cardboard advertising the tenancy of (in engraved script) _Miss Lucy Spode_, (in ink) _M. A. Warden_, and (in pencil, a scrawl) _Manvers_.
Through this the girl walked into a back room of generous size, which boasted a top-light together with the generic name of studio, and was furnished with an ill-assorted company of lame and dismal pieces. The several vocations of its tenants were indicated by a typewriting-machine beneath a rubber hood thick with dust, a folding metal music-stand and a violin-case, and a large studio easel supplemented by a number of scrubby canvases. A door in the partition wall communicated with a small bedchamber of the kind commonly termed "hall room." And in one corner a stationary wash-stand and a gas-stove for morbid cookery lurked behind a Japanese screen of dilapidated panels.
Near the windows, on the end of a box-couch, a young woman was perched, thin shoulders rounded over the ink-stained drawing-board resting on her knees. She had a large, self-willed mouth and dark Bohemian hair, and wore a dreary cotton kimono over a silk petticoat whose past had been lurid. One hand clutched gingerly a bottle of India ink, the other wielded a scratchy steel drafting-pen.