Then, suddenly, Patrick was added to the circle--a smooth-shaven, apple-cheeked, merry man--having doubtless strolled over from the neighboring stable yard. Was it partly because a masculine note of admiration was added to the feminine chorus that the effect of general well-being and of mirth seemed, with his arrival, to be emphasized and confirmed? At all events there was an instinctive perception between Patrick and the center of interest that they understood each other, and Patrick was welcomed from the rug with evidences of the recognition of this bond which precipitated another wave of delightful worship.

It was the beginning of a firm friendship. Patrick soon shared with the nurse of those Elysian days the early confidences, the awakening and absurd aspirations, of the childish mind. In the first cloud of trouble, which after some years grew from the marriage and departure of the nurse, he was a never failing solace. He received with serious consideration a carefully thought-out plan to compel her return by engaging one of the hook and ladder companies to pull down her new home, thus presumably leaving her without any abiding place but the parental roof. Seated on the front seat of the old carriage with his young friend, taking the air about the city, he assisted in plotting the details of this scheme. It was so subtly diluted by other interests, and disappeared so gradually, that no particular disillusion resulted.

The Friendly Club and Other Portraits — Part 65

Why Patrick left and when remain a mystery. He was succeeded by a Scotchman with reddish whiskers and for long was lost to sight. Then, unexpectedly, he re-appeared.

The Friendly Club and Other Portraits — Part 65

One afternoon, years afterward, while calling at a friend's home and talking over old days, it developed that Patrick was still alive--a very old man now--that he was employed by these friends as gardener--that, as a matter of fact, he was at the moment at work in the garden. It was, indeed, possible to see him from the window. What was the meaning of that instant sense of doubt as to whether it would be well to walk over to the window? At least this hesitancy did not prevail and there, in a far corner, raking among the shrubbery, could be discerned the figure of a little, bowed old man in blue denim overalls and a weather-beaten felt hat. One could not see his face--his back was toward the window. How small he looked! Why, Patrick had been a fine figure of a young Irishman, not tall, perhaps, but of a respectable height.

The Friendly Club and Other Portraits — Part 65