If these calls of distinguished men to God's service be noted one by one, they will be found to include many of the grandest scenes of Scripture.[7] There could be no more splendid subject--if I may give the hint in passing--for a course of lectures in the congregation, or even for a course, like the present, to students of divinity.

They exhibit astonishing variety. Moses, for example, was called in the maturity of his powers, but Samuel when he was still a child. Jeremiah's call bears a certain resemblance to that of Moses, because both resisted the Divine will through inability to speak; but in other respects they are totally dissimilar. Ezekiel's stands altogether by itself, and is extremely difficult to unravel; but it is thoroughly characteristic of his sublime and intricate genius. Nowhere else could there be found a more telling illustration of the diversity of operation in which the Spirit of God delights, when He is touching the spirit of man, even if He is aiming at identical results.

The Preacher and His Models — Part 15

For in all cases the effect was the same. The man who was called to be a prophet was separated by this summons from all other occupations which could interfere with the service for which God had designated him. His whole being was taken possession of for the Divine purposes and subjected to the sway of the Divine inspiration. One of the commonest names of a prophet in the Old Testament is "a man of God." Through constant use this term has lost its meaning for us. But it meant exactly what it said: that the prophet was not his own, but God's man; he belonged to God, who could send him wherever He wished and do with him whatever He would. It was the same idea that St. Paul expressed, when he called himself, as he loved to do, "the slave of Jesus Christ."

The Preacher and His Models — Part 15

It has sometimes been attempted to explain these scenes away, as if they were not records of actual experience, but only poetic representations which the prophets prefixed to their writings, to afford their readers a dramatic prefigurement of the general scope of their prophecies, ideas being freely put into them which the prophets did not themselves possess at the commencement of their career, but only acquired by degrees as their life proceeded.[8] They are compared to such efforts of the poet as the _Vision_ of Robert Burns, in which he tells how the muse of Caledonia appeared to him at the plough, and, casting her mantle round him and claiming him as her own, consecrated him the poet of his native land; or the _Zueignung_ of Goethe, in which he feigns a similar experience which befell him on the moonlight heights of the German forest. But, though there is a poetic element in prophecy, the prophetic spirit was too much in earnest for such figments of the imagination, which are alien to the severity of the Hebrew genius. Besides, such scenes are not confined to the Hebrew prophets: they belong to the true religion in all generations.

The Preacher and His Models — Part 15