[Illustration: THE TUILERIES FROM THE SEINE IN THE 16TH CENTURY

The Court and the city crowded together around the Bird House and the Swans' Pond, in the Dedalus and before the Echo, ogling or criticising one another. At that time the Place de la Concorde was a great, green field, called the Rabbit Warren. In one part of the field stood the King's kennels.[5] The city's limits separated the Champs-Élysées from the wild lands running down to the Seine at the point where the Pont de la Concorde now stands. This space, enclosed by the boundaries of the city, assured to the Court a park-like retreat in the green fields of the open country. The enclosure was entered by the gate of the Conférence. The celebrated "Garden of Renard" was associated with Mademoiselle's first memories. It had been taken from that part of _La Garenne_ which lay between the gate of the Conférence[6] and the Garden of the Tuileries. Renard had been _valet-de-chambre_ to a noble house. He was witty, pliable, complaisant to the wishes or the fancied needs of his employers, amiable, and of "easy, accommodating manners"[7]; in short, he was a precursor of the Scapins and the Mascarelles of Molière. Mazarin found pleasure and profit in talking with him. Renard's garden was a bower of delights. It was the preferred trysting-place of the lordlings of the Court, and the scene of all things gallant in that gallant day.

La Grande Mademoiselle — Part 16

The fair ladies of the Court frequented the place; so did the crowned queens; and there many an amorous knot was tied, and many a plot laid for the fall of many a minister.

La Grande Mademoiselle — Part 16

There the men of the day gave dinners, and rolled under the table at dessert; and in the bosky glades of the garden the ladies offered their collations. There were balls, comedies, concerts, and serenades in the groves, and all the gay world met there to hear the news and to discuss it. Renard was the man of the hour, no one could live without him.

La Grande Mademoiselle — Part 16

The Cours la Reine, created by Marie de Médicis, was outside of Paris. It was a broad path, fifteen hundred and forty common steps long, with a "round square," or _rond-point_, in its centre. In that sheltered path, the fine world, good and bad, displayed its toilets and its equipages.