Requiem is an elegy by Anna Akhmatova about the suffering of people under the Great Purge. It was written over three decades, between 1935 and 1961. She carried it with her, redrafting, as she worked and lived in towns and cities across the Soviet Union. The set of poems was conspicuously absent from her collected works, given its explicit condemnation of the purges. The work in Russian finally appeared in book form in Munich in 1963; the whole work was not published within the USSR until 1987. It would become the best known work of poetry about Soviet Great Terror.
Overview
The set of poems is introduced by one prose paragraph that briefly states how she waited for months outside Leningrad Prison, along with many other women, for just a glimpse of fathers, brothers or sons who had been taken away by the NKVD in Soviet Russia. Following the introductory paragraph, the core set of poems in Requiem consists of 10 short numbered poems, beginning with the first reflecting on the arrest of Akhmatova's third husband Nikolay Punin and other close confidants. The next nine core poems make references to the grief and agony she faced when her son, Lev Gumilev was arrested by the NKVD in 1938. She writes, "one hundred million voices shout" through her "tortured mouth".
While the first set of poems relate to her personal life, the last set of poems are left to reflect on the voices of others who suffered losses during this time of terror. With each successive poem, the central figure experiences a new stage of suffering. Mute grief, growing disbelief, rationalization, raw mourning, and steely resolve are just a few that remain constant throughout the entire cycle. Writing sometimes in first person and sometimes in third person, Ahkmatova universalizes her personal pain and makes a point to connect with others who experienced the same tragedy as herself. Since the topics chosen were controversial at the time, Requiem was written in 1940 but was not published. Akhmatova believed publishing the work during that period would be too dangerous and felt it was better to keep it reserved in her head, only revealing it to some of her closest friends. Requiem was first published without Ahkmatova's consent in 1963 in Munich. The complete text was not published in the Soviet Union until 1987.
Structure
Requiem is separated into three sections which set the structure of the entire cycle.
1. The introduction also known as the prose paragraph is located at the beginning of the cycle. It details the background story of how Anna Akhmatova came to the decision of writing this poem and also explains the environment they were a part of during that period in history. Below is the paragraph that introduces the cycle:
"During the frightening period of the Yezhov terror, I spent seventeen months waiting in prison queues in Leningrad. One day, somehow, someone "picked me out". On that occasion there was a woman standing behind me, her lips blue with cold, who, of course, had never in her life heard my name. Jolted out of the torpor characteristic of all of us, she said into my ear (everyone whispered there) "Could one ever describe this?" And I answered, "I can." It was then that something like a smile slid across what had previously been just a face."
2. The second section of the cycle is the first ten poems after the introduction, which are references to her personal grief. Her husband Nikolay Punin had been arrested for his second time and placed into jail where he died. In the first poem of this set titled "Dedication", she references her unsettling feelings toward his arrest and his death, and also reaches out to her close friends who had also been arrested. While the first paragraph is a dedication to people who were very important to her, the other nine of the second section directly relate to the arrest of her only son Lev Gumilev. Akhmatova expresses her inner sadness, pain and anger about the situation she and many other women were put in. For 17 months, she waited outside the prison in Leningrad just waiting for a glimpse or notification of what was going to happen to her son. This section concludes with Akhmatova describing how no one can take away the important things that go unnoticed such as a touch, a look, visits, etc.