In the nervous, unsettled state of my mind at that moment, I found it much easier to make my proposed inventory, than to make my proposed reflections, and soon gave up all hope of thinking in Le Maistre's fanciful track--or, indeed, thinking at all. I looked about the room at the different articles of furniture, and did nothing more. There was, first, the bed I was lying in--a four-post bed, of all things in the world to meet with in Paris!--yes, a thorough clumsy British four-poster, with the regular top lined with chintz--the regular fringed valance all round--the regular stifling, unwholesome curtains, which I remembered having mechanically drawn back against the posts, without particularly noticing the bed when I first got into the room. Then, there was the marble-topped wash-hand stand, from which the water I had spilt, in my hurry to pour it out, was still dripping, slowly and more slowly, on to the brick floor. Then, two small chairs, with my coat, waistcoat, and trowsers flung on them. Then, a large elbow chair covered with dirty-white dimity: with my cravat and shirt-collar thrown over the back. Then, a chest of drawers, with two of the brass handles off, and a tawdry, broken china inkstand placed on it by way of ornament for the top. Then, the dressing-table, adorned by a very small looking-glass, and a very large pincushion. Then, the window--an unusually large window. Then, a dark old picture, which the feeble candle dimly showed me. It was the picture of a fellow in a high Spanish hat, crowned with a plume of towering feathers. A swarthy sinister ruffian, looking upward; shading his eyes with his hand, and looking intently upward--it might be at some tall gallows at which he was going to be hanged. At any rate he had the appearance of thoroughly deserving it.

This picture put a kind of constraint upon me to look upward, too--at the top of the bed. It was a gloomy and not an interesting object, and I looked back at the picture. I counted the feathers in the man's hat; they stood out in relief; three, white; two, green. I observed the crown of his hat, which was of a conical shape, according to the fashion supposed to have been favored by Guido Fawkes. I wondered what he was looking up at. It couldn't be at the stars; such a desperado was neither astrologer nor astronomer. It must be at the high gallows, and he was going to be hanged presently. Would the executioner come into possession of his conical crowned hat, and plume of feathers? I counted the feathers again; three, white; two, green.

Harper's New Monthly Magazine, No. XXVI, July 1852, Vol. V — Part 117