If Christopher wanted to go down to the sea he would have to pass under the Gate of St. Andrew, with the old prison, now pulled down to make room for the modern buildings, on his right, and go down the Salita del Prione, which is a continuation of the Vico Dritto di Ponticello. It slopes downwards from the Gate as the first street sloped upwards to it; and it contains the same assortment of shops and of houses, the same mixture of handicrafts and industries, as were seen in the Vico Dritto di Ponticello. Presently he would come to the Piazza dell’ Erbe, where there is no grass, but only a pleasant circle of little houses and shops, with already a smack of the sea in them, chiefly suggested by the shops of instrument-makers, where to-day there are compasses and sextants and chronometers. Out of the Piazza you come down the Via di San Donato and into the Piazza of that name, where for over nine centuries the church of San Donato has faced the sun and the weather. From there Christopher’s young feet would follow the winding Via di San Bernato, a street also inhabited by craftsmen and workers in wood and metal; and at the last turn of it, a gash of blue between the two cliffwalls of houses, you see the Mediterranean.
Here, then, between the narrow little house by the Gate and the clamour and business of the sea-front, our Christopher’s feet carried him daily during some part of his childish life. What else he did, what he thought and felt, what little reflections he had, are but matters of conjecture. Genoa will tell you nothing more. You may walk over the very spot where he was born; you may unconsciously tread in the track of his vanished feet; you may wander about the wharves of the city, and see the ships loading and unloading--different ships, but still trafficking in commodities not greatly different from those of his day; you may climb the heights behind Genoa, and look out upon the great curving Gulf from Porto Fino to where the Cape of the western Riviera dips into the sea; you may walk along the coast to Savona, where Domenico had one of his many habitations, where he kept the tavern, and whither Christopher’s young feet must also have walked; and you may come back and search again in the harbour, from the old Mole and the Bank of St. George to where the port and quays stretch away to the medley of sailing-ships and steamers; but you will not find any sign or trace of Christopher. No echo of the little voice that shrilled in the narrow street sounds in the Vico Dritto; the houses stand gaunt and straight, with a brilliant strip of blue sky between their roofs and the cool street beneath; but they give you nothing of what you seek. If you see a little figure running towards you in a blue smock, the head fair-haired, the face blue-eyed and a little freckled with the strong sunshine, it is not a real figure; it is a child of your dreams and a ghost of the past. You may chase him while he runs about the wharves and stumbles over the ropes, but you will never catch him. He runs before you, zigzagging over the cobbles, up the sunny street, into the narrow house; out again, running now towards the Duomo, hiding in the porch of San Stefano, where the weavers held their meetings; back again along the wharves; surely he is hiding behind that mooring-post! But you look, and he is not there--nothing but the old harbour dust that the wind stirs into a little eddy while you look. For he belongs not to you or me, this child; he is not yet enslaved to the great purpose, not yet caught up into the machinery of life. His eye has not yet caught the fire of the sun setting on a western sea; he is still free and happy, and belongs only to those who love him. Father and mother, brothers Bartolomeo and Giacomo, sister Biancinetta, aunts, uncles, and cousins possibly, and possibly for a little while an old grandmother at Quinto--these were the people to whom that child belonged. The little life of his first decade, unviolated by documents or history, lives happily in our dreams, as blank as sunshine.
