Charles Reade (8 June 1814 – 11 April 1884) was a British novelist and dramatist, best known for The Cloister and the Hearth.
Life
Charles Reade was born at Ipsden, Oxfordshire, to John Reade and Anne Marie Scott-Waring, and had at least four brothers. He studied at Magdalen College, Oxford, taking his B.A. in 1835, and became a fellow of his college. He was subsequently dean of arts and vice-president, taking his degree of D.C.L. in 1847. His name was entered at Lincoln's Inn in 1836; he was elected Vinerian Fellow in 1842, and was called to the bar in 1843. He kept his fellowship at Magdalen all his life but, after taking his degree, he spent most of his time in London. William Winwood Reade, the influential historian, was his nephew.
Writings
Reade began his literary career as a dramatist, and he chose to have "dramatist" stand first in the list of his occupations on his tombstone. As an author, he always had an eye to stage effect in scenes and situations as well as in dialogue. His first comedy, The Ladies' Battle, appeared at the Olympic Theatre in May 1851. It was followed by Angela (1851), A Village Tale (1852), The Lost Husband (1852), and Gold (1853).
But Reade's reputation was made by the two-act comedy, Masks and Faces, in which he collaborated with Tom Taylor. It was produced in November 1852, and later was expanded into three acts. By the advice of the actress, Laura Seymour, he turned the play into a prose story which appeared in 1853 as Peg Woffington. The same year he wrote Christie Johnstone, a close study of Scottish fisher folk. In 1854 he produced, in conjunction with Tom Taylor, Two Loves and a Life, and The King's Rival, and, unaided, The Courier of Lyons (well known under its later title, The Lyons Mail) and his adaptation of Tobias Smollett's Peregrine Pickle. In the next year appeared Art (1855), afterwards known as Nance Oldfield.
He made his name as a novelist in 1856, when he published It Is Never Too Late to Mend, a novel written to reform abuses in prison discipline and the treatment of criminals. The truth of some details was challenged, and Reade defended himself vigorously. Five more novels followed in quick succession: The Course of True Love Never Did Run Smooth (1857), White Lies (1857), Jack of all Trades (1858), The Autobiography of a Thief (1858), and Love Me Little, Love Me Long (1859). White Lies started as a translation of Auguste Maquet's play Le Château de Grantier. After managers declined the manuscript, Reade adapted the story, weaving it into a novel which was serialised in The London Journal and published in three volumes the same year. He produced an adaptation of this on stage as The Double Marriage in 1867.
In 1861 Reade published what would become his most famous work, based on a few lines by the medieval humanist Erasmus about the life of his parents. The novel began life as a serial in Once a Week in 1859 under the title "A Good Fight", but when Reade disagreed with the proprietors of the magazine over some of the contentious subject matter (principally the unmarried pregnancy of the heroine), he abruptly curtailed the serialisation with a false happy ending. Reade continued to work on the novel and published it in 1861, thoroughly revised and extended, as The Cloister and the Hearth. It became recognised as one of the most successful historical novels. Returning from the 15th century to contemporary English life, he next produced Hard Cash (originally published as Very Hard Cash) (1863), in which he highlighted the abuses of private lunatic asylums. Three more such novels followed: Foul Play (1869), in which he exposed the iniquities of ship-knackers, and paved the way for the labours of Samuel Plimsoll; Put Yourself in His Place (1870), in which he dealt with trade unions; and A Woman-Hater (1877), in which he continued his commentary on trade unions while also tackling the topic of women doctors. The Wandering Heir (1875), of which he also wrote a version for the stage, was suggested by the Tichborne Case.