Who, then? And why? It had seemed like a ghastly jeer when he had seen that stone there on the table, and the prelude to some sinister act that he could not foresee, and against which therefore he could not prepare any defense. Did someone know that he was not the Rat, that, desperate, with no other thing to do, he had snatched at the rôle fate had thrust out to him, and was playing it now?

Who, then? Not the Woman in Black—her acceptance of him as the Rat had been altogether too genuine! Not the underworld—even a suspicion there would have been followed by a knife thrust long before this. Not the actual perpetrators of David Ellsworth’s murder, if they knew him to be Billy Kane—for their one aim had been to fasten the crime irrevocably upon him, all their hellish ingenuity had been centered on that one object, and they would certainly, therefore, have lost no time in giving the police, in some roundabout, guarded way, a tip as to his identity.

Doors of the Night — Part 87

His brain whirled with the problem, and ached in an actual physical sense. It had been aching all day. He could minimize his peril, if he cared to make the wish father to the thought; he could not exaggerate it. It seemed impossible that his identity was known, but, even so, the question as to where that stone had come from, and why, still remained unanswered. Was it, then—another possibility—the murderers of David Ellsworth, who, while still believing him to be the Rat, and having discovered in some way that, as the Rat, he was working against them, had given him this ugly and significant warning to keep his hands off? Well, if that were so, he was still in no less danger, for he must go on. To turn aside was to fail, and to fail, quite equally, meant death.

Doors of the Night — Part 87

The hard pressure of his lips curved the corners of his mouth downward in sharp lines. Nor was the question of that stone all! Since last night when the cloak of respectability had been stripped from Karlin, and the “man in the mask” had turned the tables on the crime coterie in the gambling hell run by Jerry, the ex-croupier of Monte Carlo, the underworld had been in a nasty mood, ugly, suspicious, in a ferment of unrest. It was another alias added to his rôle, another alias to safeguard even more zealously, if possible, than his unsought rôle of the Rat. He was the man in the mask. He shrugged his shoulders suddenly. Quite so! The mask was even at that moment in his inside coat pocket. If it were found there! He laughed harshly. It seemed as though he were being sucked in nearer and nearer to the center of some seething vortex that hungrily sought to engulf him. It seemed as though his brain ground and mulled around in a sort of ghastly cycle. When he tried to bring one thing into individual outline some other thing impinged, and all became a jumbled medley, like pieces of a puzzle, no one of which would fit into another.

Doors of the Night — Part 87