I had just laid the first sheet of paper before my writer, and asked him this question:

I pressed the spring, and the clockwork began acting. I dared hardly breathe through fear of disturbing the operations. The automaton bowed to me, and I could not refrain from smiling on it as my own son. But when I saw the eyes fix an attentive glance on the paper--when the arm, a few seconds before numb and lifeless, began to move and trace my signature in a firm handwriting--the tears started to my eyes, and I fervently thanked Heaven for granting me such success. And it was not alone the satisfaction I experienced as inventor, but the certainty I had of being able to restore some degree of comfort to my family, that caused my deep feeling of gratitude.

Memoirs of Robert-Houdin, ambassador, author and conjurer — Part 133

After making my Sosia repeat my signature a thousand times, I gave it this next question: "What o'clock is it?"

Memoirs of Robert-Houdin, ambassador, author and conjurer — Part 133

The automaton, acting in obedience to a clock, wrote: "It is two in the morning."

Memoirs of Robert-Houdin, ambassador, author and conjurer — Part 133

This was a very timely warning. I profited by it, and went straight to bed. Against my expectations, I enjoyed a sleep I had not known for a long time.

There may be among those who read my book some who have also created some successful work. They will know that next to the happiness of enjoying one's own invention, nothing is so flattering as to offer it to the notice of a third party. Molière and J. J. Rousseau consulted their servants, and, I must confess, it afforded me great pleasure the next morning to invite my portress and her husband to be present at the first performance of my writer.

As it was Sunday, and M. Auguste had no work to do, I found him at breakfast. He held a modest sardine with his thumb on a piece of bread, while in the other hand he had a knife, the handle of which was fastened to his waist by a lanyard. My invitation was graciously accepted, and they came to my room to witness the aristocratic performance of a nobleman of the age of Louis XV. The mason's wife chose this question: "What is the emblem of fidelity?" The automaton replied by drawing a pretty little greyhound lying on a cushion. Madame Auguste, quite delighted, begged me to make her a present of the drawing, while her husband, having by this time finished his breakfast, begged to see the work, for, as he said,