While the copies seized by the messenger had not the letter to Jervas, they contained in compensation an address "to the reader," which was not in the first fifty copies sent to Curll. This preface betrays throughout the hand of Pope. The original proposition was that it should be furnished by Curll; and, notwithstanding the revenge by which he professed to be actuated, P. T. maintained that the poet ought to be mentioned with praise. "We must by no means," he said, "seem to use him with disregard, but rather commend, lest by any circumstances I writ to you the publisher be detected."[47] I This was seven years after the appearance of the Dunciad, and Pope was not so universally beloved as that the intimation that the correspondence was put forth by an enemy could direct suspicion to the culprit. The pretence was too palpable to impose upon any one, and P. T., who, among other motives for his procedure, probably mistrusted Curll's cordiality or skill in a panegyric, determined upon consideration to supply it himself. He was not sparing in his tribute. "Mr. Pope," he wrote, "has not any great cause to think the publication much offence to his modesty, or reflection on his judgment, when we take care to inform the public that there are few letters of his in this collection which were not written under twenty years of age. On the other hand, we doubt not the reader will be much more surprised to find at that early period so much variety of style, affecting sentiment, and justness of criticism in pieces which must have been writ in haste, very few perhaps ever re-viewed, and none intended for the eye of the public."[48] This was the very language of the poet. He coveted the distinction of precocity of talent, and was perpetually directing attention to the early age at which he affirmed, and sometimes falsely, that many of his letters and poems were penned. He asserted that his most finished epistles were thrown off in haste, which, as they were always held to bear the marks of labour in every sentence, is the last topic of praise that would have been selected by anybody else. He was anxious to persuade the world that they were not revised before they were published, and he prevaricated to foster the deception.[49] He protested that they were never meant for the press, which no one believed, and which could least of all be credited by the assumed traitor who transcribed them from the copy that had been deposited in the library of Lord Oxford to ensure their preservation. The vindictive P. T. was both so fortunate and so hearty in his commendations that he proved the mere echo of Pope in his self-applauding moods.
Rivers Report
The Works of Alexander Pope, Volume 1 — Part 24
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