Pedestalled vases were not the only pottery found at Aylesford and the analogous sites. There were others, bowl-shaped or with low globular bodies, some of which were also cordoned, while a few had the triangular decoration characteristic of the Bronze Age.
Domestic vessels of wholly different forms have also been recovered, some with handles on either side, and perforated bases, which were perhaps used for draining honey-combs, and others which are more easily recognized as Late Celtic by their flamboyant decoration. A fragment of this ware was taken from the same cavern near Torquay which had been used as a dwelling-place in palaeolithic times. Household pottery was still commonly made by hand; and while some specimens were without any ornament, others had rectilinear patterns of such a kind that, but for the associations in which they were found, they would have been referred unhesitatingly to the Age of Bronze.[1010]
[Sidenote: The noblest creation of Late Celtic art.]
If archaeologists were invited to name the noblest creation of Late Celtic art, I think that with one consent they would point to the bronze shield which was lost in the Thames, and found after it had lain there some nineteen hundred years. Oblong with rounded ends and gently contracted in the middle, the outline forming an endless curve, it is adorned with three successive circles of _repoussé_ work, a large central one and two smaller, connected by sinuous lines, within which lesser circles are contained. The central piece of each greater circle is a boss enclosing enamelled swastika designs and surrounded by curves, S-shaped and C-shaped, which begin and end with the same mysterious device. Yet, though the beauty of form remains, the glory of colouring is gone; and one can only now imagine how, when the shield hung upon the forgotten warrior’s arm, gleaming bronze and raised curves and red enamel combined to produce their due effect. Like Stonehenge this was the work of a master: not one detail could be altered, or removed, or added without impairing its perfection.[1011]