‘I was thinking, mamma,’ said Lady Maud, who had lingered longer with Ethel than her sister had done, ‘that you could scarcely do better than to engage Miss Gray, if it suits her, as a governess for Alice, instead of writing to every point of the compass in hopes that some friend will recommend some treasure. It’s not only that Ethel Gray is really too good for the routine of plodding tuition in a village school, but that she knows everything, or nearly everything, that Miss Grainger knew, and French and German quite as well as it is possible to acquire them in England. Gladys has told you, I am sure, what a musician she is. I do not know how you could do better.’

The Countess too did not know how she could do better than to engage such a successor to the oft-quoted Miss Grainger, provided she possessed the accomplishments with which she was credited, and were willing—which Lady Wolverhampton could scarcely doubt—to exchange her rustic pupils for the post of governess at High Tor House. And as, on inquiry, it seemed that Ethel’s acquirements had not been overrated, and that her magnificent voice and musical proficiency fully merited the encomiums of the girls, while Alice was a vehement partisan of the governess-elect, the Countess was ready to propose the formal installation of Ethel in that capacity, subject to ‘my lord’s’ approval, when he should return from some magisterial business at Pebworth.

Chambers's Journal of Popular Literature, Science, and Art, No. 746, April 13, 1878 — Part 8

It was, however, necessary, in the Countess’s opinion, to ask a question or two on other matters than that of competence to teach. The office of mistress of the village school was one thing; that of governess to an Earl’s youngest daughter was another. It would be satisfactory, the Countess thought, to know a little more of Miss Gray’s birth, parentage, and antecedents than any of the De Vere family did as yet know. Ethel’s simple frankness saved Lady Wolverhampton—who did not like to put direct questions, and was eminently unfit for the delicate operation of extracting by subtle talk and veiled inquiry what she wished to learn—a great deal of trouble.

Chambers's Journal of Popular Literature, Science, and Art, No. 746, April 13, 1878 — Part 8

‘My father is in Australia,’ she said, raising her clear eyes to meet those of the Countess. ‘He is, I believe, a merchant there; but even _that_ I do not know with any certainty, though he has been living there for many years, and I have always been told that I was born in the colony. I came with him to England, I know, when I was a little child, and he returned there; and I have not seen him since then, and cannot remember him at all.’

Chambers's Journal of Popular Literature, Science, and Art, No. 746, April 13, 1878 — Part 8